ナニワ金融道 3発目～大蛇市マネーウォーズ～

Coco, a Beijing modern girl wants to spend a romantic and fancy Christmas vacation in Osaka. However the place where she gets in is Shinsekai ( "New World" in English, is an old neighbourhood located next to south Osaka city's downtown "Minami " area, as known as one of the most poorest and dangerous area in Osaka.)When she arrives there, she starts feeling regret and frustrated by the encounters and the landscapes which are far beyond her expectation. Suddenly she is involved in an incident surrounds a Chinese family there, meanwhile she starts fascinated by Shinsekai through her wondering. In this short and unusual Christmas vacation, Coco discovers a "Japan " she never knows and a "China" that she is not familiar with.

Turbulent life of Kiwa, the successor of the most prominent yakuza in Osaka, the Domoto Clan.

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

Launched in 2011 as a sister group to girl band behemoth AKB48, the Osaka-based NMB48 has become a musical force itself. With a string of No.1 hit singles and albums, not to mention sell-out performances, NMB48 continues Japan’s pop-music phenomena. Director Funahashi Atsushi, whose documentary work has previously chronicled such harrowing events as the Fukushima nuclear meltdown, pulls back the curtain on the life and struggles of the band members and the workings of the idol-making industry.

Despite his efforts of living a normal life as a banker, the life of Toru, the only son of the Yubari Family, becomes disrupted by trouble brought on by his father. When his father’s battle against his rival group the Miike Family ignites, Toru becomes more involved in the turf war than he wished for.

Luca lost her family in the Great East Japan Earthquake causing her not to be able to speak. However, her singing voice shakes the hearts of those who listen to her. It is a hymn of compassion played by Luca and the people.

Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

Kamagasaki is an "invisible" slum of Osaka that attracts day laborers and prostitutes since WW2. When the local gang has its treasured cauldron stolen, a war to find it begins involving the thugs, a 12 years old kid, a prostitute and a pickpocket, including the giant cauldron used to feed the destitute: The symbol of Kamagasaki.

Scandal 10th Anniversary Festival: 2006-2016 is the seventh concert album by the Japanese pop-rock Scandal, which was released on November 3, 2016 Epic Records Japan. The recordings were made on August 21, 2016, at the outdoor festival celebrating the band's tenth anniversary, on Osaka's Sakai-Senboku harbor in front of an audience of 12,000. The release reached number four on Japan's Oricon weekly DVD total and ninth on weekly Blu-ray total sales.

Tarō Okamoto became world-famous by designing the “Tower of the Sun” at Expo ’70 in Osaka. The ideas and problems that came with its creation, however, are intertwined with the evolution of Japanese culture – from the Paleolithic up until modern times. In his documentary debut, director Kōsai Sekine takes us on a philosophical journey that transcends the visual limits of documentaries.