François Mitterrand et Anne Pingeot, fragments d'une passion amoureuse

Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan. Despite this transgression, Keiko Kishi continued acting in her home country with Kon Ichikawa, Yasujiro Ozu, Masaki Kobayashi… building unique bridges between Japanese and European cultures. Free and rebellious, she emancipated herself from the many obstacles she encountered in the film industry, and created her own production company in her early twenties. Let’s look back at the story of a pioneer, an inspiration for many generations.

After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.

George Clinton's somewhat absurdist take on Parliament-Funkadelic history. Features never-before-granted access to his archive and spotlights his alter egos and friends

Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.

It is April 15th, 1989. Thousands of fans are rushing into Hillsborough stadium in Sheffield to watch the FA-Cup semi-final between Liverpool FC and Nottingham Forrest. The day ends with one of the greatest tragedies in football: 96 people do not survive the catastrophe of Hillsborough. 766 get injured. The 30-minute-long documentary especially gives a voice to the survivors.

A film about one of the most iconic images of the 20th century, the moment when the radical spirit of the 1960s upstaged the greatest sporting event in the world. Two men made a courageous gesture that reverberated around the world, and changed their lives forever. This film is about Tommie Smith and John Carlos' protest at the 1968 Olympics.

Rocky IV is dually symbolic - it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.

"Jeunesse Rouge" is a documentary exploring young French Communist revolutionaries fighting for a just and equal society. The film follows their organizing and mobilizing, while delving into the history of the Communist movement in France. Archival footage and interviews with activists show their passionate commitment, from protests and strikes to political education. It highlights the power of youth activism and their potential to bring about change in the face of systemic inequality.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

Born out of the ashes of Big Star, arguably the greatest cult band of all time, Memphis local Van Duren joined forces with ex-members Chris Bell & Jody Stephens to form a band and become regulars on the 70s Memphis bar circuit. In little time they got the attention of Rolling Stones manager Andrew Loog Oldham, who then started managing Van Duren. Van was tipped to be the next Paul McCartney but instead faded into obscurity. Forty years later, two friends from Australia (a band manager and musician) chance upon the mysterious musician’s lost album. They fall hopelessly in love with the music and set out to discover why Van Duren isn’t a household name.

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.