Rod's Room 5

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

Two new dads are putting their newly adopted newborn son to sleep when something unexpected happens...

RAW! UNCUT! VIDEO! chronicles the rise and fall of homegrown gay porn studio Palm Drive Video, and explores how a devoted couple helped battle a devastating health crisis by promoting kinky sex.

Two gay dads fumble to provide their straight son with meaningful support after the loss of his first real love.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.

Comstock Films has created a unique film series that explores sexual relationships among couples. Each film focuses on one couple and begins with an intimate interview that sets up the background of the couple's relationship: how they met, the basis of their intimacy, what attracts them sexually to one another, and how they share their innermost desires and fantasies. The camera then turns to an intimate lovemaking session, recording in detail the passion and eroticism that exists between the two. Coverage is explicit, but not provocative; it allows viewers to share in the couple's healthy, passionate, romantic relationship and to experience first hand the erotic intimacy of their lovemaking. Damon and Hunter: Doing it Together features the first gay relationship in the series. Damon and Hunter are two adult film stars on the rise, but are also real-life lovers.

Sites like OnlyFans, Flirt4Free, and JustforFans have destabilized the traditional production, distribution, and monetization of X-rated entertainment. The potential and risk to make the big bucks, along with all the headaches of running a business, is now in the hands of porn stars and starry-eyed newcomers working from home. Performers have become their own studios, producing, shooting, and casting their own work - often from their homes. And just like a Netflix account - people pay to watch. Sure, porn is still popular but it’s a one-way experience and guys don’t want to pay for it. They want the opportunity to get to know somebody they’ve seen in a magazine, on TV, or on social media. Meet your roster of online boyfriends.

An ageing director commentates on a porno he directed 50 years ago, reminiscing on his relationship with the lead actor.

Devin passes his time online with buddies he's only met on Twitter. The group decides they need to meet in person, and come together at Garrett's family lake house.

A look behind the scenes of the Czech gay porn boom.

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.