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Present day: a small village somewhere in rural Serbia. Reports on the upcoming parliamentary elections drone from the radio while a local traffic policeman tries to teach his old grandmother how to use a mobile phone. Glimpses of this old lady, who lives a lonely life on a remote farm, become the red thread running through the film with its snapshot-like portraits of everyday life in the tiny community. There’s the grocer’s shop the men visit to talk about money and politics. Or the postman who delivers on his moped the ballot papers for the forthcoming elections. The policeman who stops cars as he fancies. The school with a handful of children in the overlarge classroom. The pub in which something approaching merriment occasionally arises. And the recurrent visits to the old peasant woman: Her matter-of-fact inventory of aches and pains delivered to the local doctor, her worries about increasing thievery confided in the village priest.

Still regarded as the best Serbian documentary film account of WW1 ever, it gathers all the available footage of Serbia's army, its battles on the home ground, its refuge on the island of Corfu, its victorious offensive on the Thessaloniki Front and the return to the homeland. The original documentary footage from 1915–1918 was somewhat supplemented in a small measure with some staged reenactments of Serbian army retreating over Albania, and later liberation of Belgrade. The first version of this documentary epic was shown in 1930 under the title "For the Honour of Homeland". Andrija Glisic and Zarija Djokic later made a new sound version of the previous silent movie and renamed it "Fire Over the Balkans".

Belgradian parades and everyday street scenes.

In August 1911, Serbian producer Svetozar Botoric and Louis de Beery (former Pathé’s cinematographer) left Belgrade to film a country wedding. With the bridal procession of 300 guests bringing together all the social classes of the time, we follow the young married couple step by step : at home, then at the wedding luncheon beneath the old oak trees, and finally smiling at the party that presents a really beautiful account of Kolo, a traditional Serbian dance.

Niko nema ovakve ljude! (trans. No One Has This Kind of People!) is the live/video album by Serbian rock band Riblja Čorba, released in 2010. The album was recorded on the band's concert held on October 10, 2010 in Belgrade Arena. The album featured two CDs and one DVD with the recording of the concert.

The film features intertwined scenes of young dance troupes' performances and scenes where famous Serbian actors, artists and athletes speak out to young people, in order to inspire them to by their own example to chase after and fulfill their lives' dreams. The 34 minute long film is fast paced and shows different types of dances at several key locations in Belgrade, Serbia. The performances are cut by the interviews with the artists and athletes, addressing the viewer, who talk about their beginnings and the road to success. The third segment of the film are young people, transitioning into adulthood, who talk about what their own dreams are. The idea that the film "Fulfill your dream!" carries is to show young people, through the movie itself, through the testimonies of successful artists and athletes, and finally through the example of the author, that it is possible to start an independent career, thanks to their creativity, ambition and perseverance.

Kenedi is in a huge debt after building a house for his family. He finds himself searching for any kind of work to support himself, for as little as 10 EUR per day, a scarce amount to help him relief his debt. Ultimately, Kenedi decides to look for money in sex business. Initially offering his services to older ladies and widows, he expands his 'business' to offer sex to wealthy men. When he finds out about new liberal European laws on gay marriages, Kenedi sees prospects in looking for a "marriage material", to renew his search for a legal status in EU. The opportunity arises during EXIT Music Festival, when he meets Max, a guy from Munich. But will their promising relationship bring the solution to Kenedi's problems?

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.