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_**There’s a reason you’ve never heard of this Hammer flick with Cushing & Lee**_ Around the turn of the century, Sherlock Holmes (Peter Cushing) and Doctor Watson (André Morell) try to protect the heir of the Baskerville estate (Christopher Lee) in southwest England after the former owner was found dead, rumored to be victim of a curse going back to the time of the English Civil War in the mid-1600s. "The Hound of the Baskervilles" (1959) is Hammer’s take on Arthur Conan Doyle’s oft-filmed tale. While there are some minor changes to the story, it doesn’t “wildly” deviate as some have criticized. It features the lush colors and Victorian ambiance that Hammer is known for, plus you can’t go wrong with Cushing and Lee. Meanwhile Marla Landi is sharp & spirited in the feminine department while winsome Judi Moyens is notable in a brief opening role. If you like Hammer and the principles, it’s enjoyable to some degree, but there’s good reason it’s so obscure in the Hammer canon. It’s just not that compelling; the well-done opening is the best part. The movie runs 1 hour, 27 minutes, and was shot at Bray Studios, which is just west of London, and two spots south of there in Surrey: Chobham Common and Frensham Ponds. GRADE: C
André Morrell takes a more serious approach to his characterisation of "Dr. Watson" than Nigel Bruce did in his series of "Sherlock Holmes" stories with Basil Rathbone, and coupled with Peter Cushing as the fastidious super-sleuth, manages to create quite a solid drama here that mixes the scientific with the superstitious entertainingly. The detecting duo are recruited by the suspicious "Dr. Mortimer" (Francis De Wolff) following the death of the wealthy "Sir Charles Baskerville". His heir has arrived from South Africa and his new neighbour has fears for his safety. "Sir Henry" (Christopher Lee) heads to his remote Dartmoor estate where the creepy mire, dense fog, escaped convicts and lamps flashing in the distance create quite a menacing scene for the new owner of this near £1 million property. Though Lee's character proves largely peripheral, he does enough and the rest of the supporting cast - especially Miles Malleson's sherry-swilling bishop and John Le Mesurier as the butler - work well together, as does the James Bernard score, in augmenting the more traditional Hammer, slightly Gothic, look of the film. That all successfully frames a quickly paced investigation that allows Cushing and Morell to work complimentarily together as they begin to suspect that something is most definitely afoot - or is that a-paw? It's enjoyable, this film, though I wonder if it might have worked better in black and white?
Two paranormal investigators are unexpectedly thrown together in the hope of solving a 100 year mystery. Locked for three nights in a house with a dark and unsettling past, the two investigators must put their differences to one side and work together. They soon discover the myths and stories are nothing compared to what actually resides within the eerie walls of Richwood Manor. Scepticism and showmanship are soon put to one side when the two investigators realise there is more at stake than just their professional reputation. For once they have stumbled onto the real thing, but this time it's their own lives at stake.
In the Fall of 1999, four teenage sleuths and their Great Dane got lost in the woods while in search of a mystery. This is their story.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
Seven British children bury their mother and hide her death, until their long-lost father returns.
May Munro is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick, a retired explosives expert to kill her parent's killers. When Ned Trent, embittered ex-partner of Quick's is assigned to protect one of Quick's potential victims, a deadly game of cat and mouse ensues.
Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.
Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.
Two teenage couples traveling across the backwoods of Texas searching for urban legends of serial killers end up as prisoners of a bizarre and sadistic backwater family of serial killers.
A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.