Brutalität in Stein

In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.

In Buffalo, N.Y., some of the greatest works of American architecture relay a remarkable story that resonates with the universal themes of home, family and friendship. The charismatic Frank Lloyd Wright, destined to become America’s greatest architect, called Darwin Martin, an unassuming, wealthy businessman from Buffalo, his “best friend.” Frank Lloyd Wright’s Buffalo reveals how Martin’s three decades of support fostered Wright’s career and led to some of the architect’s renowned masterpieces—the Larkin Administration Building, the Darwin Martin Estates and the Martin summer home, Graycliff—all in Buffalo, New York.

One minute film of Buffalo Bill's famous show.

A large ship embarking.

Panorama film shot floating down the Seine.

A view of the Ferris wheel from the Chicago Exposition of 1893, turning slowly.

This one is modelled on the painting by Paul Delaroche and is an extension of the stage act known as “tableau vivant”.