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From the look of the posters, this ought to be a film about a Polish gangster! Instead, it's about the curmudgeonly, vodka-swilling, "Ann" (Dale Dickey). It's really only her grand-daughter "Emma" (Romane Denis) who takes any interest in her as she goes through life with her incapacitated husband "Chip". Asleep one night, their home is invaded by people armed with a court order that puts them into a legally binding guardianship arrangement. This basically says that they are incapable of managing their own affairs and have to have someone else take control. Nobody asked anyone to do this, nor did the couple know of the court proceedings supporting it. It was all down to a dodgy doctor on the payroll of "Rivera" (Bruce Ramsay) who had his eye on their condo and their savings. Now locked inside their new apartment, she is determined to get out - especially as their new hosts can prove quite violent when it comes to making sure that they have squeezed out every penny the couple have. What "Rivera" doesn't count on, though, is that "G" has a bit of an history when it comes to looking after herself. What follows next is all a bit procedural and though Dickey is clearly having some bad-ass fun, the main thrust of the story is really the outrageous scenario that it represents: that some states in the US allow people to be summarily removed from their homes, and from control of their assets, by anonymous third parties fuelled by greed and palm-greasing. It's worth a watch, but the television will do fine.
Good film. Here's what the Fantasia Film Festival says about it: After decades as a character actor in countless films and TV series (winning numerous awards in the process), Dale Dickey takes centre stage in THE G, delivering a performance fierce and flinty enough to give Eastwood or Bronson pause (and certainly more subtle than either). Like Dickey’s turn as Ann, Montreal director Karl R. Hearne’s second feature film, a favourite on the festival circuit, bristles with quiet, carefully calibrated intensity. Inspired by his own grandmother, apparently one tough cookie, as well as outrage at the frequency of elder abuse right under our noses, Hearne has crafted a gritty revenge thriller laced with shards of bitter humour and anchored by an unconventional yet entirely convincing protagonist—a different shade of noir, with a touch of grey. – Rupert Bottenberg
New York City detective Daniel Ciello agrees to help the United States Department of Justice help eliminate corruption in the police department, as long as he will not have to turn in any close friends. In doing so, Ciello uncovers a conspiracy within the force to smuggle drugs to street informants.
During a handover to the head of counter-terrorism of MI5, Harry Pearce, a terrorist escapes custody. When Harry disappears soon after, his protégé is tasked with finding out what happened as an impending attack on London looms, and eventually uncovers a deadly conspiracy.
A young scholar witnesses the murder of a drug pusher and has to decide to either inform the police or help the brother of the murdered man, who is out for vengeance.
A teen girl disappears after trying to meet men online in order to escape her small town. Apparently, only her best friend worries enough to investigate the mystery.
What are we talking about when we talk about negotiations? About the state's concessions to the Mafia in exchange for ending the massacres? About who assassinated Falcone and Borsellino? Of the eternal coexistence between the Mafia and politics? Between the mafia and the church? Between the Mafia and law enforcement? Or is there more? A group of actors enacts the most relevant episodes of the affair known as the Mafia-state negotiation, impersonating mobsters, secret service agents, high officials, magistrates, victims and murderers, Freemasons, honest and courageous people, and courageous people up to a point. Thus one of the most intricate events in our history becomes an exciting tale.
A savings-and-loan bank is robbed; later, a police wiretap identifies meek bank teller Leon Poole as the inside man. In capturing him, detective Sam Wagner accidentally kills Poole's young wife, and at his trial Poole swears vengeance against Wagner. Poole begins his plans to get revenge when he escapes his captors.
A restaurant owner going over the edge when an armed robbery is attempted at his establishment. He holds everyone captive at gunpoint – criminals and customers alike – and situations corrode into a nightmare state, guided by manipulation and raw compulsion.
A prequel to "Stone Cold", the story picks up after Jesse Stone is fired from the Los Angeles Police Department. He becomes an unlikely candidate recruited by a town council to become police chief of Paradise, MA, a small fishing town on Boston's North Shore. The board hopes his failed experience will keep him from digging too deep into the town's secrets. His first assignment is to investigate the murder of his predecessor whose death may be tied to a local domestic disturbance case, with connections to money laundering and murder involving some of the town's most affluent names as possible suspects.
The eldest member of a rural community of grape growers refuses to sell his land to a greedy real estate company. When he seems cornered by the dirty tactics of a corrupt businessman, he must decide whether to give up everything he owns, or take control of the situation.
In a future where assassins operate as legal professionals, a grief-stricken killer embarks on a relentless quest for vengeance.
A small craftsman disappears, his brother, a grocer, searches for him and… to his surprise, he finds a misappropriation of Humanitarian Aid! Someone's lining their pockets, but who? And what is the little craftsman doing in there? Investigation, twists and turns, suspenses, prosecutions and murders follow! But, beyond this form, the substance never ceases to be present, namely: why do those who need it most accept to see a large part of the international donations intended for them disappear?