Goyo

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love. In this manner, the title becomes a statement: amor es... (love is...)

A quiet, neglected girl is sent away from her dysfunctional family to live with relatives for the summer. She blossoms in their care, but in this house where there are meant to be no secrets, she discovers one.

The town of Kahaplyk will soon have a full "haplyk" (aka "hook"): elections again, a corrupt mayor again, the same thing again ... Five Instagram stars are coming to fix the "mayor's reputation". They will be waiting for adventures "for the whole head", a real conspiracy and, of course, a story of true love!

Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.

After serving prison time for a self-defense killing, Sailor Ripley reunites with girlfriend Lula Fortune. Lula's mother, Marietta, desperate to keep them apart, hires a hitman to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru, an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.

When professors discover that an aimless janitor is also a math genius, a therapist helps the young man confront the demons that are holding him back.

101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.

Two people keep bumping into each other around the world. Even when they're apart, they're bound to meet again. Fate keeps bringing them together, and their love starts to blossom.

A doctor (Vishnuvardhan) falls in love with his student (Suhasini) but fails to tell her about his feelings. When he finally musters courage to tell her she tells him that her marriage is fixed to Jai Jagadeesh. Vishnuvardhan cannot forget her and slowly withdraws into a shell. Meanwhile, Jai Jagadeesh starts suspecting his wife because she gives importance to hospital and starts misbehaving with her. Suhasini discovers that Vishnuvardhan is terminal and may not survive for long. She starts taking more care of him in hospital. This frustrates her husband even more and he fights with Vishnuvardhan. Suhasini goes home to explain to her husband but discovers that her husband has abused the maid. She decides to leave him but Vishnuvardhan tries to convince her husband that his relationship with Suhasini is pure. Jai Jagadeesh misbehaves with Vishnuvardhan and Suhasini gets hurt while trying to make sense with her husband. Finally Vishnuvardhan dies saving her baby.

Sergei, an aspiring musician, accidentally meets a deaf-mute girl, Natasha, and falls in love with her. He has to change a lot to prepare himself for a new relationship with a different and very vulnerable person. Natasha is like an alien or an alieness with whom Sergei has to find a completely new language to speak. Natasha tries hard to understand his musical world. The problem is that Natasha lost her hearing during the war and associates sounds with fear and pain. Even a symphony concert is torture for her.