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The definition of a meh film, at least for me. 'Hercules' doesn't stick a connection, I felt very unfulfilled throughout. I have little negatives, yet there isn't much the other way either. I like the cast, but that's honestly about it. James Woods, Danny DeVito and Rip Torn all give noteworthy performances in the roles of Hades, Phil and Zeus. However, Tate Donovan as the titular character is forgettable, as is Roger Bart's voice when Hercules sings. Bart isn't helped by the very average music, none of which is memorable to me. The plot is mild, one that is quite easy to predict and doesn't produce any thrilling moments. The animation is actually OK, satisfactory for sure. I can see this is very well rated by others, which I respect. For me, though, it isn't any good.
Undoubtedly one of the better 1990s Disney films. The story and animation are very much centre stage with the music much less important - no big power ballads! It is a fun take on the Herculean mythology of ancient Greece. Beginning with a suitably grand opening narrative from Charlton Heston, no less, we learn that Hades is desperate to avenge himself on Zeus - who tricked him into ruling the underworld after he and his brothers defeated the Titans. Meantime Zeus is celebrating the birth of a baby boy. Hades decides to strike back, but his augurs (the "Fates" but think more "Stygian witches") advise that this little boy - Hercules - is the fly in the ointment who must be neutralised if his grand design is to succeed. Hades tricks him firstly into mortality and then cons him out of his great strength - but will that be enough to defeat the determination of our hero? It is a bit of a slow starter; but once it gets into the swing there are some good performances from James Woods (superb as Hades), Rip Torn (Zeus) and Danny DeVito as the long-suffering demi-god trainer "Phil" that keep this fantasy adventure moving along nicely. Don't expect to see any of his twelve labours...
In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.
After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.
During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
After standing in as best man for his longtime friend Carl Petersen, Randy Dupree loses his job, becomes a barfly and attaches himself to the newlywed couple almost permanently - as their houseguest. But the longer Dupree camps out on their couch, the closer he gets to Carl's bride, Molly, leaving the frustrated groom wondering when his pal will be moving out.
An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and reenter Heaven.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.
In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Flying Saucer Rock N Roll is the debut feature film from the father-son duo Eric and Joe Callero. The year is 1957 as a group of rockabilly and beatnik teens are visited by weed smoking Martian zombies who have come to take their earth women. Filmed with respect for classic horror films and full of laughs as the viewer is taken on an adventure like no other.