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**Mediocre.** This is another of the films that Errol Flynn made during the 50s, a decade that corresponds to the physical and artistic decline of the actor. Increasingly sidelined by American studios, he settled in Europe. This film was filmed in France, and is the result of a partnership between Flynn and director William Marshall, with much of the script written by Flynn himself. The story is a romantic drama set in New Orleans, during the years preceding the American Civil War, and shows the downfall of an important and wealthy family in the city. It all begins with the discreet romance between the Creole maid Lea Mariotte and her young boss George Brissac, an amoral bourgeois who plans to inherit his uncle's fortune and marry a young woman from a good family. After an incident where she kills a man, she is saved from the gallows by Fabian, a ship's captain, who has personal reasons for antagonizing the Brissacs. He takes care of her and falls in love with her, but doesn't tell her. She, in turn, takes the opportunity to return to her lover Brissac's arms, forcing him to marry her after seeing him murder his uncle. Of course, she's a smart, ambitious woman, and none of the men realized that. The script has some good aspects, but overall it is very weak. The basic idea is good: a cunning woman, who uses various tricks to get where she wants, climbing an arduous social ladder dictated by money and family prestige. The character building also works decently: the three central characters (Lea, George and Fabian) are rich and psychologically elaborate. But the virtues of Flynn's text end there. His writing is excessively erratic, failing to create a uniform thread of logic. For example, it makes no sense for Lea to return to George after him, for fear of accusing himself, almost letting her be hanged, and it makes even less sense for her to say she is so in love with Fabian. His actions are also illogical: we never understand why he is angry with the Brissacs, or why he buys the tavern. The cast features well-known names. Personally, I think Micheline Presle is the actress who deserves the most applause here, with a very consistent and intense interpretation of her character. In addition, she has a pleasant French accent that fits well in a film that takes place in a former French colony like Louisiana. Vincent Price also delivers a good dramatic performance, albeit a relatively restrained one. Agnes Moorehead barely appears on the scene. As for Flynn… if he had the idea of being the protagonist, he ended up becoming, in practice, a mere supporting actor in his own film. Technically, the film has fairly regular cinematography and some good sets. The costumes are equally interesting, if not really remarkable. The characterization work is mediocre, though, and aside from some fire and explosions, there aren't any major effects to consider. The soundtrack is also very weak and the film's title is wrong.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
In a world ravaged by the plague, women hunted as witches and burned alive. Three women stand against this tyranny as one is accused of witchcraft. Keeping their own secrets and demons from each other they try to survive the dangerous journey.
When a young woman's boyfriend dies, she slips into grief and begins to believe that his spirit has returned in the form of a menacing skeleton doll.
John and his buddy, Jeremy are emotional criminals who know how to use a woman's hopes and dreams for their own carnal gain. Their modus operandi: crashing weddings. Normally, they meet guests who want to toast the romantic day with a random hook-up. But when John meets Claire, he discovers what true love – and heartache – feels like.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
A paralyzed girl finds difficulty living a normal life, so she participates in a ritual to metamorphize into a mermaid to replace her useless lower half.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
A widowed man lives with his four daughters, but he always preventing them from mixing or working, and when the father goes out on pension, he decides to invest his reward in a company that he later discovers has seized his money, so he falls down the stairs and enters the hospital injured, and the daughters are forced to go down to work.