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**Mediocre.** This is another of the films that Errol Flynn made during the 50s, a decade that corresponds to the physical and artistic decline of the actor. Increasingly sidelined by American studios, he settled in Europe. This film was filmed in France, and is the result of a partnership between Flynn and director William Marshall, with much of the script written by Flynn himself. The story is a romantic drama set in New Orleans, during the years preceding the American Civil War, and shows the downfall of an important and wealthy family in the city. It all begins with the discreet romance between the Creole maid Lea Mariotte and her young boss George Brissac, an amoral bourgeois who plans to inherit his uncle's fortune and marry a young woman from a good family. After an incident where she kills a man, she is saved from the gallows by Fabian, a ship's captain, who has personal reasons for antagonizing the Brissacs. He takes care of her and falls in love with her, but doesn't tell her. She, in turn, takes the opportunity to return to her lover Brissac's arms, forcing him to marry her after seeing him murder his uncle. Of course, she's a smart, ambitious woman, and none of the men realized that. The script has some good aspects, but overall it is very weak. The basic idea is good: a cunning woman, who uses various tricks to get where she wants, climbing an arduous social ladder dictated by money and family prestige. The character building also works decently: the three central characters (Lea, George and Fabian) are rich and psychologically elaborate. But the virtues of Flynn's text end there. His writing is excessively erratic, failing to create a uniform thread of logic. For example, it makes no sense for Lea to return to George after him, for fear of accusing himself, almost letting her be hanged, and it makes even less sense for her to say she is so in love with Fabian. His actions are also illogical: we never understand why he is angry with the Brissacs, or why he buys the tavern. The cast features well-known names. Personally, I think Micheline Presle is the actress who deserves the most applause here, with a very consistent and intense interpretation of her character. In addition, she has a pleasant French accent that fits well in a film that takes place in a former French colony like Louisiana. Vincent Price also delivers a good dramatic performance, albeit a relatively restrained one. Agnes Moorehead barely appears on the scene. As for Flynn… if he had the idea of being the protagonist, he ended up becoming, in practice, a mere supporting actor in his own film. Technically, the film has fairly regular cinematography and some good sets. The costumes are equally interesting, if not really remarkable. The characterization work is mediocre, though, and aside from some fire and explosions, there aren't any major effects to consider. The soundtrack is also very weak and the film's title is wrong.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
Two short films released together under a collective title. The first, "Secret Sharer", directed by John Brahm and starring James Mason, is based on a short story by Joseph Conrad. The second tale, "Bride Comes to Yellow Sky", directed by Bretaigne Windust and starring Robert Preston, is adapted from Stephen Crane's short story.
John and his buddy, Jeremy are emotional criminals who know how to use a woman's hopes and dreams for their own carnal gain. Their modus operandi: crashing weddings. Normally, they meet guests who want to toast the romantic day with a random hook-up. But when John meets Claire, he discovers what true love – and heartache – feels like.
In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.