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In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.

José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.

Sixteen-year-old Clément spends a hot summer evening home alone by the pool. Determined to lose his virginity, he swipes through guys’ profiles on Grindr.

Lucas is a 17-year-old gay teenager coping with the sudden and unexpected death of his father in an accident that may or may not have been suicide. He views his life as a wild animal in need of taming. Between a brother settled in Paris and a mother with whom he now lives alone, Lucas will have to fight to rediscover hope and love.

When Otoya confesses that he is married, Junpei cannot hide his anger of being betrayed. However, Otoya says it is a fake marriage. He met his wife through matchmaking because of his father. She is emotionally unstable and an alcoholic. But he gets to use her to cover his gay identity. One day, Junpei goes to Otoya's house and meets his wife when he is out. It leads to Otoya suggesting Junpei to move in and become his roommate...

The bond between a disabled Muslim father and his son is tested when love is pitted against religion.

David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

In late 19th century Montana, an artist seeking inspiration explores the landscape with his Native American guide, and finds his conceptions of himself and of the world around him challenged. In 1970s Barstow, California, a questioning youth's mundane existence is given a shot of adrenaline by the arrival of a new exchange student who envelops them within her own lust for life. In present-day Wyoming, a trans teenager works through his self-destructive feelings with his perceptive, non-binary therapist.

A historical drama set in the Koryo dynasty and focused on the relationship between a king and his bodyguard.

Robert moves from the Polish countryside to work on a fish processing factory on the coast of Norway. There he falls in love with Ivar who is openly gay and a member of the workers union. Robert is hiding his sexual orientation from the other Polish immigrant workers. When Ivar helps the Polish to start a strike for better working conditions at the factory, Robert has to choose between money or love.