Moravská filharmonie Olomouc s Michaelou Fukačovou a Janem Mráčkem

Johnny Green conducts the MGM Symphony Orchestra in a performance of Tchaikovsky's "Capriccio Italien".

An unbroken sequence of fragments, last thoughts, elegies and absences by Schubert, Mozart, Wagner, Janáček, Stravinsky, Jacquet de la Guerre and Schumann, inter-leaved with movements from John Woolrich's Pianobooks. The programme is performed alongside images from the Quay Brothers.

André Rieu - Magic of The Violin

Live in Maastricht, The Netherlands.

After failing to be admitted into the OSESP Orchestra, a talented violinist is forced to give music classes to teenagers in a public school. He soon finds his world transformed by the power of music and friendships formed with his pupils.

German virtuoso Julia Fischer performs violin and piano concertos by Saint-Saens and Grieg, accompanied by the Junge Deutsche Philharmonie under the baton of Matthias Pintscher.

The story of Andre Rieu's first journey to Africa, the discovery of soloist Kimmi Skota and the sheer emotional impact of the concerts on the South African audiences.

What would you say to an evening of partying with music, song and above all, lots of fun, leaving you shaking with laughter? This scintillating New Year’s Eve concert was recorded in December 2003 in Hanover, Germany, with André Rieu and his orchestra accompanied by special guests such as Otto Waalkes and BOND, showing what partying should be all about! It’s really André at his best!

Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.

Arima Kousei won numerous piano competitions while under the strict watch of his mother. He was known as the human metronome during that time. Since the death of his mother, Kousei has been unable to hear the sound of his piano. He then meets Miyazono Kaori through childhood friend Sawabe Tsubaki. Kaori plays the violin and has a free sprit. Since meeting her, Kousei is able to face the piano again. Meanwhile, Kaori holds a secret.