Sex-Show

An early Gaumont short

A young woman's involuntary head twitch is misinterpreted, as she and her husband are pursued around Paris by an ever-growing group of adoring men.

The camera wanders through streets standing witness to a war that has destroyed a city and an entire nation. Bagdadi goes to war against the Lebanese civil war, exploring different locations and situations in a country faced with its own demise. The poetic text raises questions of life and death through contrasting images of violent death and the will to live.

A spellbinding journey into the mind of an insomniac, who spends each night haunted by strange and wonderful illusions from another world.

Exercise in its own form of absurdism. Jokes are good if you tell them well. Strange jokes have to be told even better. The maker likes really strange jokes and that's why he practices telling them well. Man takes his injured friend to the hospital. There it becomes apparent that a leg is missing.

A first visit to South Africa seems to invite observation of the extremes or of folklore in society, but Tan Chui Mui initially chose a very different road. She intended to make a short science fiction film and not to focus on the occasionally grim reality of today's South Africa. With the help of local film makers, she set off in Durban looking for suitable locations and four actors who wanted to work on her film (preferably for free). With the locations, she also found her story. She used the futuristic architecture of the football stadium being built - designed by the German bureau GMP Architects - not only as background for her film No Woman Born, but she also turned the anonymous labourers into characters in her film. Tan discovered the talents of the Zulu actor and singer Muzi Mhlanga, who developed during the shooting into a very special man of the future.

Based on the real life story of Sagawa, a Japanese student who killed, dismembered and ate a young Dutch girl in Paris.

A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

A girl who believes she is too fat is invited to the "Kingdom of Slimbuttlandia".

An actress loses her identity in a character, what then turns her life into tragedy.