Mes chroniques libertines

An evocative, impressionistic drama of love and loss.

The rules were: one day, one wheel, one shot (no editing). Valérie Massadian’s hypnotic short was made for Seattle’s Northwest Film Forum.

Film shot one frame at a time, of three faces, including a brother and sister, which merge to become one, followed by a short sequence of minimalist gesture.

A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.

'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.

When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother's early life - an investigation that leads to an unexpected romance with a rising journalist.

The husband takes his wife to a swinger club. At first she is reluctant, but later she enjoys more than him and this makes him jealous.

Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.

Giorgi is 16 years old when he discovers another world through American films forbidden in all Soviet Union until then. Since the post-revolutionary chaos in his home town, Tbilisi, Giorgi has wanted to have succeeded by following the path of his idols: Tony Montana and Vito Corleone. He has almost reached his goal when he is confronted with a dilemma; how can he stop his little brother who is 12 years old to follow his path when he could become a famous pianist? All this in a world that only knows chaos.

In the early twentieth century, the Hotel Nueva Isla was an emblematic luxury hotel. After the Cuban Revolution, it was confiscated by the State and became a shelter for homeless people. Located in Old Havana, today it is an imposing ruin. Jorge de los Rios, a retired clerk, is one of the few residents who remain there, along with La Flaca, his lover, and Waldo, a young itinerant. As the rest leave for safer places, Jorge clings to his dilapidated home and its buried treasures, slowly digging his way through its debris. The film speaks poignantly to a lost generation who fought in the Cuban Revolution and dreamed of a better society.

Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”