Heretic 2024 - Movies (Dec 10th)
Bogart Life Comes in Flashes 2024 - Movies (Dec 10th)
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Below Deck Sailing Yacht - (Dec 10th)
Wipeout - (Dec 10th)
The Last Word with Lawrence ODonnell - (Dec 10th)
Celebrity Yorkshire Auction House - (Dec 10th)
Brilliant Minds - (Dec 10th)
Dalgliesh - (Dec 10th)
WWE Raw - (Dec 10th)
The Rachel Maddow Show - (Dec 10th)
NCIS - (Dec 10th)
People Magazine Investigates - (Dec 10th)
Contraband- Seized at the Airport - (Dec 10th)
90 Day- The Last Resort - (Dec 10th)
Holiday Baking Championship - (Dec 10th)
Adam Richman Eats Football - (Dec 10th)
The 1 Club - (Dec 10th)
Junk and Disorderly - (Dec 10th)
The ReidOut with Joy Reid - (Dec 10th)
Inside with Jen Psaki - (Dec 10th)
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The Price Is Right - (Dec 10th)
Most of us have no doubt heard the old saying (adapted from the famous poem by Robert Burns), “The best laid plans of mice and men often go awry.” And, in the case of a pair of hopelessly lost Gen Z misfits (Jacon Roberts, David Treviño), truer words couldn’t have been spoken. The two longtime friends from Austin, TX attempt to relocate to New York, but, when their plans fall through, they return home to regroup and figure out a way to get back to the Big Apple. They “decide” to land good-paying jobs (without any realistic prospects) from which they can diligently (or so they believe) stash away bundles of cash for a year and, simultaneously, multiply their savings by finding ways to live rent free with (i.e., shamelessly sponge off of) friends, family and even strangers, a plan they’re thoroughly convinced will work. However, the reality turns out to be far different from their hopelessly misguided wishful thinking, straining their friendships with others and themselves. Their wickedly funny story (with a few touching moments) turns out to be a damning exploration of improbable, unworkable thinking, unbridled irresponsibility, inflated entitlement and generally bad form between themselves and with those who offer to help them out (but who subsequently prove to have agendas of their own as well). One would like to hope that this experience will work out (or at least provide them with a much-needed wake-up call), but will it? In that sense, “Rent Free” is a brutally telling story about a generation that not only hasn’t come of age, but that is in serious need of growing up. Writer-director Fernando Andrés’ second feature offering delivers a bitingly blistering modern day road trip/buddy movie of sorts about two lost souls seeking to find themselves but who perpetually get in their own way. It’s particularly noteworthy for the fact that this is a film involving individuals who are part of the LGBTQ+ community but whose sexuality is more ancillary than integral to the narrative, allowing their other personal attributes and actions to carry the picture and not relying exclusively on scenarios related to their gay and bisexual orientation to define them or the nature of the story. Some viewers (particularly younger ones) may be insulted or offended by some of the content here, but perhaps that’s because the filmmaker holds up a highly polished, undeniably scrutinous mirror to them and their lifestyles, providing a profoundly revelatory look at why their lives don’t live up to their assumed expectations. Indeed, there is no such thing as a free lunch, and this inspired, razor-sharp offering proves that – whether viewers want to see that or not.
A lonely telephone operator leading an empty, amoral life finds God – only to have her faith continually tested in ways beyond what she could have imagined.
Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April - an inexperienced cook - runs into kitchen trouble and must ask a neighbor for help.
In the Australian town of Upson Downs, ten-year-old Annie and Runt, her stray dog, attempt to win the Agility Course Championship at the Krumpets Dog Show in London in order to save their family's farm from drought and misery.
23-year old Tiel travels to Austin with hopes of reconnecting with her longtime lover, only to end up disillusioned. A turning of events leads her to find her own self-worth in a strange and chaotic world.
After the apocalypse, all water is radioactive and deadly to drink. In this dystopian world, Gylian goes to extreme lengths to make sure her daughter gets the medication she needs to survive.
Middle school, New York City. Everyone's got a secret. Josh and Rachel have been best friends since second grade, but their relationship is about to change. The Viper has an online blog dedicated to exposing people's innermost secrets and he's just found out the whopper of them all.
The trials and tribulations of a man diagnosed with colorectal cancer who refuses treatment and establishes a carnal fixation on the tumor that slowly siphons the life out of him.
In a dystopian near-future, a young couple slowly realizes their mega-corporation employer's VR work-from-home routine is draining the life out of their relationship and must decide whether to lose their humanity or break free.
A paranoid young man launches a bizarre crime spree against the citizens of Toronto.
After enduring a bad breakup with his long time girlfriend on the side of an old Oklahoma highway, a young man moves into a 1968 VW Beetle with 8 foot spider legs.
Making an indie film is murder under the best of circumstances, but first-time director Eddie Vassick's scenario is chaotic. Halfway through filming his main investor croaks. He has to tangle with the investor's widow who not only demands a plum role in the film when she's never acted a day in her life, but sells the film's rights to none other than Eddie's domineering older brother Warren. Warren is a B-movie mogul, king of commercial flicks, who has cast a shadow over Eddie his entire life. Eddie is forced to bend to Warren's will, and Warren immediately issues an impossible ultimatum, true to form. Eddie must re-shoot the entire film in costly 35mm format in four weeks time, or control of the entire project will revert to Warren. Meanwhile, Warren, who has always been secretly jealous of his little brother's inherent talents, has gotten his hands on a copy of Eddie's script and views this project as his one shot to catapult himself from the "B" leagues into the majors.