The Main Course: The Making of Critters 2

A fascinating glimpse into Truffaut’s creative process and how his life informed his art, told from the perspectives of those who knew him best.

A fascinating glimpse into Truffaut’s creative process and how his life informed his art, told from the perspectives of those who knew him best.

Video diary from behind the scenes of 2002's "Cruise of the Gods."

During the production of my Jabba documentary short, Slimy Piece of Worm Ridden Filth, I was put in contact with Toby Philpott’s colleague and Jabba’s right hand man. Literally, his right hand man, puppeteer Dave Barclay. Dave helped us, along with Toby (Jabba’s left arm), Mike Edmonds (tail) and John Coppinger (animatronic engineer) to reconstruct just how it was inside that filthy Hutt. And of course it couldn’t have been done without the amazing work of Eletrographica aka Pete Starling, who rendered all that information into a multilayered illustration. Dave was so impressed with the Jabba documentary that he asked if I would consider doing one on Yoda. Dave aged just 19 in 1979 was involved in building and puppeteering Yoda for The Empire Strikes Back. After a few email exchanges, Dave kindly found time between his work on The Muppet Show for an interview.

This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.

A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.

A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.

In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.

Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."

Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.