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> Once again, the internal conflict of the protagonist, Cane, (at least the first part of the film) goes into the background -which is not anything after 18 years in prison and the association lynches the ex-convict in each town he arrives at. and asks for honest work - to shine a spotlight on the shadowy recesses and abysses? of young Billy, collaborator and star of Dan Ruffalo's show; isn't this Billy enough of a wink to William Bonney? His inexperience seasoned with infallibility with the revolver, seasoned with the reckless mania of not remembering -like that friend of Pat Garrett- to be mortal? And fatally it is known that the incredible skill of Billy did not even serve to check that his gun was loaded; and fatality that it is known that Cane finally seemed to have the glory, but he forgot that he had only paid in jail for 1 of the 12 murders
**_Clint Walker as an ex-con in Arizona and Vincent Price a Western show barker_** In 1891, a former gunfighter (Walker) gets out of prison in Yuma and is taken aback by how things have changed in the two decades that he’s been locked up. While he tries to stay away from guns, he settles for a trick-shot artist at a traveling show (ran by Price). He deals with a rash young buck (Paul Hampton) while taking interest in a lovely artist (Anne Francis). “More Dead Than Alive” (1969) is similar to the great “Bandolero” from the year prior, but with a lower budget, a meandering script, and less attention to detail (e.g. the vintage Schwinn bicycle with chrome and plastic parts). Seven years later “The Shootist” would borrow the basic plot with a bigger budget, just exchanging John Wayne for Walker’s part, Ron Howard for Hampton and Lauren Bacall for Francis. The opening Gatling Gun sequence feels contrived, which destroys realism, but the corresponding prison set is impressive. It, incidentally, was built in the mid-50s by Columbia Pictures for $118,000 and was used in the popular Star Trek Gorn episode, “Arena,” as Cestus III. Hampton plays a “kid” who’s about 19 years-old, but was 31 during shooting and looks it. If you can roll with the questionable issues, you can’t beat Walker as the masculine protagonist or Vincent Price in a rare Western. I was able to enter into the world of the characters and care for the protagonist and his potential mate. Unfortunately, the ending leaves a bad taste and reflects the 60s after JFK’s murder, which isn’t helped by the horrid offbeat song. The film runs 1 hour, 40 minutes, and was shot at Vasquez Rocks in Agua Dulce, which is just north of Los Angeles in the desert high country. The mine-fight sequence was filmed at Bronson Caves, which is 15-20 miles due south of there. The town scenes were done at a movie ranch in the area. GRADE: B-
Western remake of Jack London's The Sea Wolf. A sadistic mining camp owner "hires" scoundrels to work the mine. He just won't let them quit.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
The town of Primrose, Arizona is beset by outlaws, so the towns people hire Fletcher Bissell III (A.K.A. The Silver Dollar Kid) as their new sheriff. Fletcher is so cowardly the townsfolk are sure that the local outlaws will be too proud to gun him down. This proves to be the case, and the outlaws hire their own cowardly gunfighter, Chicken Farnsworth, to go up against The Silver Dollar Kid. Written by Jim Beaver
Driven by tragedy, billionaire Bruce Wayne dedicates his life to uncovering and defeating the corruption that plagues his home, Gotham City. Unable to work within the system, he instead creates a new identity, a symbol of fear for the criminal underworld - The Batman.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.
In Kansas during the middle of the Civil War, John Golden is left for dead and his family has been killed by the ruthless Confederate outlaw William Quantrill. Rescued by runaway slave Joshua Brown, Golden is determined to get revenge. With the help of a legendary gunfighter and a special gun, Golden must not only deal with Quantrill and his men, but has to dodge General Custer and his army, as well.
Frank James resents and tries to stop a ruthless drifter who has adopted the name of his dead brother in order to duplicate his crimes.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
A band of Mexicans find their U. S. land claims denied and all the records destroyed in a courthouse fire. Their leader, Louis Chama, encourages them to use force to regain their land. A wealthy landowner wanting the same decides to hire a gang of killers with Joe Kidd to track Chama.
The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.