Salmon People

This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

Mixing animation with a wealth of archival footage, Chris Auchter’s film explores the 1985 dispute over clearcut logging on Haida Gwaii. On one side are Western Forest Products and Frank Belsen Logging, who plan to engage in clearcut logging on Tllga Kun Gwaayaay (Lyell Island) and are supported by the BC government. On the other side is the Haida Nation, which wishes to protect its lands against further destruction. The confrontation involves court proceedings and a blockade, and Auchter takes us from canny retrospective commentary to the thick of the action.

Two Millennia ago a culture that is still unknown to us today erected thousands of mounds throughout the Midwestern United States to the Gulf of Mexico. They are called the Hopewell, the Adena or the Mississippian… However, no one knows what these people actually called themselves. In other words, they remain mysterious and unknown to us today...

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

For almost a century, the Coast Salish knitters of southern Vancouver Island have produced Cowichan sweaters from handspun wool. These distinctive sweaters are known and loved around the world, but the Indigenous women who make them remain largely invisible.

Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.