The Girl in the Limousine

In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.

Struggling young painter Ruth Elliott has written her Eastern friend Mildred Colburn that she has gained fame in the West as an artist. When Mildred stops to visit on her way to Honolulu, Ruth hires Peter Neyland to pose as her chauffeur for five hours. Peter is actually a wealthy young man who accepts the offer as a lark.

A young woman goes to visit friends but mistakenly rings at the wrong address. She is greeted and taken in out of the storm by a handsome young man to whom she is immediately attracted. What she does not know, however, is that this young man has been fleeced by her father and has sworn vengeance against him.

Angered by his son Dick's boastful ways, which in one incident lead him to lose a business deal, an automobile manufacturer challenges him to complete four difficult missions.

Marianna Miller, who together with her sister Sarah pounds the pavements, looking for a job. After a period of starvation and deprivation Marianna is hired as secretary to duplicitous businessman Philip Hancock.

Discouraged chorus girl is torn between a rich man and all he can offer and a starving artist which is where her heart truly lies.

Male and female sales agents, Phil and Ruth, for rival hosiery concerns try to land an order. For a while Phil succeeds and puts on an exhibition but Ruby makes the mannequins use her own brand of hose, flirts with the buyer and wins order away from her rival.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Directed by Max Urban.