Smash! The Culture Club Story

twenty one pilots live at Lollapalooza Brasil, at Autódromo de Interlagos, in São Paulo, on March 25th, 2023.

The 1975 live at Lollapalooza Brasil, at Autódromo de Interlagos, in São Paulo, on March 25th, 2023.

In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Billy Ruane, storied impresario of the 90s Boston indie music scene. Billy promoted shows and inspired cult-like followings of bands by the likes of The Lemonheads, Dinosaur Jr., Pixies, Superchunk, Buffalo Tom, Elliott Smith, Pavement, and Sonic Youth. His gracious treatment of artists set new standards in music. But underneath Billy’s exuberant cartoon-like demeanor and Harvard education, was the pain of a man with deep trauma, who struggled with bipolar disorder and substance abuse, and was confounded by the weight of an endless supply of money.

The Sixth is a visceral intersection of six extraordinary Americans whose lives will be forever changed by the attack on the United States Capitol on January 6, 2021.

Tony Bennett's MTV Unplugged The Video features 22 of Tony's greatest songs recorded in the unplugged setting. Also included are bonus tracks - the music video for ""Steppin' Out With My Baby"" - and more.

A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).

After the re-emergence of the world's first mutant, world-destroyer Apocalypse, the X-Men must unite to defeat his extinction level plan.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.