Serial killer, autopsie d'une fascination

A look-back at popular French movie "La Boum" (The Party).

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.

During quarantine, through a screen, through the network, different speeds, different houses, eyes and hands reflect the life, work and creations of the actress and director Deborah Finocchiaro. Therefore, in isolation, new narratives and encounters.

In the drug world, most stories revolve around men. But this one is about women. Some caught in the middle, some in the mix. And one, a true queenpin.

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

Wayne Adam Ford is a convicted serial killer on Death Row. Victoria Redstall is a model who trained to be a cop. Together, and against all odds, Ford and Redstall take us on a roadtrip into the mind of a serial killer and attempt to find the identity of his first victim. All that remained of her was a dismembered torso.

Known as a “kindly killer”, this documentary details Nilsen’s moves between 1978 and 1983, after which he admitted to killing as many as 15 young men.

From time immemorial, the people of the island used to leave the clothes of their dead to the sea, so that the mother of the sea could turn them into imaginary people. The ignorant Musa finds the gold-embroidered pieces of southern women's trousers among the clothes thrown by the sea on the shore, and with the colorful soils of the island, creates paintings that are his gateway to the fantasy world.