She Brought Colour into My World

Oh, the woe of simultaneous birthdays, as were Mr. and Mrs. Hardlucks', and both being of a generous nature, were seized with an insatiable desire to make on this anniversary of their nativity suitable gifts, each to the other, Hardluck has a watch, but no fob. Mrs. Hardluck has a wealth of hair, but no decorative comb for her hair. What is worse, finances are low, or rather exhausted. An idea strikes Hardluck. He will pawn his watch and buy a comb; thus surprising her. Mrs. Hardluck's mind is also illumined by a bright thought. She will sacrifice her hair, and with the money buy him a fob. This they do, of course, unknown to each other. Well, here's the situation: He had no fob for his watch, and she no comb for her hair; but now he has no watch for his fob, and she has no hair for her comb. Mack Sennett appears as an extra in this film produced by the Biograph Company.

Separated a few months ago from Pedro, Matías invites Lucho to his house. But what seems to start fine will turn the tide when the past of Matías and Pedro’s relationship arrises in the form of the keys...

Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.

An old woman who is unaware that she is near death, falls in love with her son’s young American tutor.

Amid an identity crisis, Fábio, 22 years old, a young black man from Cidade Tiradentes, reconnects with his past through a funk party with friends. On their way to the Fluxo, as these parties are called, he faces internal and external challenges that make him confront his feelings after his recent breakup. The film investigates the experiences of young people who live in the extreme east of São Paulo, the biggest city in Brazil and considered one of the main pillars of funk history.

Milan in spring. City rides with radio music, interrupted by advertising. The external movement. Paola works in a photo studio and likes to play table tennis. Robert photographs girls and ice cream. Jule talks too much on the phone. - Another love triangle. They actually wanted to go to the seaside.

A young boy falls in love with his school teacher and desperately tries to attract her attention. Very soon the teacher shows an interest in this boy and realizes, that he stands out in a crowd. She feels something…but it’s not to the boy’s classmates liking. This can’t continue. This story describes the possibility of high and chaste feelings between people of different ages and shows, how these feelings can transform a person, making it better.

Rachel and Nick are your model, contemporary relationship. They're young, hip, creative and independent. In the end, they can't escape the basic differences between men and women. In '90s psycho-babble jargon - women are from Venus and men are from Mars. And in this relationship, Mars needs guitars and a chart-topping hit song without any silly domestic interruptions. Venus needs consideration, understanding and a hand changing a light fitting in the kitchen. So when Nick goes in search of the perfect sound and Rachel has an axe to grind - the Gulf War is about to begin. They say all you need is three chords and a wardrobe and you've got the perfect song...relationships aren't so easy.

A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.

Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.

Jenna agrees to a sexy weekend fling with her materialistic girlfriend Kate and the worldly Mia, but as the night unfolds, Jenna notices strange details about each of them, as the love triangle starts to crack.