Jagal

Over 4 hours of rare footage of both CV-8 and CV-12, including the film "The Life and Death of the U.S.S. Hornet, footage from the Doolittle raid and CV-8 at Santa Cruz. Features footage from the launching of CV-12 through her WWII service, including flight deck activities, gun camera footage and more. Also includes footage from the Hornet's recovery of Apollo 11 and 12. Bonus features include a Navy Training film on catapulting from a carrier and film on Torpedo Squadron 8.

A main agenda of the prewar farmer's movement was struggle against landowners. Prokino also considered this as their prime concern. The main title sequence and the latter part of the film have unfortunately been lost. While we cannot see its entire structure, we can still get a glimpse of it from this surviving short.

The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.

A pain management specialist in a Berlin hospital laments how difficult it is to see if black skin has turned blue. The patient, 15­year­ old Arlette, doesn’t understand German. Her knee was injured in the war, and unknown wealthy Germans have helped pay for her trip to have surgery in Europe. The camera follows Arlette on her journey, from her worried family in Central African Republic to the desolate rooms of the hospital and the rehabilitation centre. The girl’s gaze is captivating but impenetrable, and the easily bored teenager surrounded by adult strangers is only cheered up by an interpreter who knows her mother tongue. The story takes a gloomier turn when it transpires that rebel forces have taken up arms in Arlette’s home country.

A project about the architectural, cultural, and social heritage of the city of Buenos Aires. An investigation about the enigmatic "Casa del Angel", a castle that used to belong to Dr. Carlos Delcasse, and the winged figure in one of its balconies that attracted the attention of all the neighbors: the sculpture of an Angel, which disappeared after the demolition of the house.

A detailing of the plight of white South African farmers.

Fleeing religious persecution, resilient Jewish immigrants arrive in Toronto and begin building affordable, quality housing in a growing metropolis.

Examines the step-by-step process that led German medical professionals down an unethical road to genocide.

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

Thirty years after his film JFK, filmmaker Oliver Stone takes viewers on a journey through recently declassified evidence in the assassination of President Kennedy - the most consequential American murder mystery of the twentieth century. Joined by Oscar-winning narrators Whoopi Goldberg and Donald Sutherland, as well as a distinguished team of forensics, medical and ballistics experts, historians, and witnesses, Stone presents compelling evidence that in the Kennedy case “conspiracy theory” is now “conspiracy fact.”

On May 1st, unions all over Japan celebrate May Day, the international day for workers. Workers gather together at parks and hold demonstrations and parades. May Day has its origins in a strike that occurred in the United States on May 1, 1886, a strike that called for an eight-hour workday. Prokino recorded the May Day every year from 1927 to 1932. Among these films, this work is the only one that has survived. However, only its first part has survived. The original film depicts the march to the Ueno Park where the rally was dismissed. Iwasaki Akira coordinated the entire Tokyo Prokino organization as it photographed the 1931 May Day celebrations. They shot in both 16mm and 35mm (other 35mm productions were planned, but this is the only one that achieved completion). A 16mm print was circulated around the countryside by mobile projection units, and a 35mm print was shown at Soviet film nights in Tokyo and Osaka.