I Dont Understand You 2024 - Movies (Jun 24th)
The Stranger in My Home 2025 - Movies (Jun 24th)
Trainwreck Poop Cruise 2025 - Movies (Jun 24th)
Steph Tolev Filth Queen 2025 - Movies (Jun 24th)
Perfectly A Strangeness 2024 - Movies (Jun 24th)
Sex Love Venice 2024 - Movies (Jun 24th)
Evil Bong-A-Thon 2025 - Movies (Jun 23rd)
Becoming Led Zeppelin 2025 - Movies (Jun 23rd)
Im Your Venus 2024 - Movies (Jun 23rd)
Barbara Walters Tell Me Everything 2025 - Movies (Jun 23rd)
The Phoenician Scheme 2025 - Movies (Jun 23rd)
Villa Amore 2025 - Movies (Jun 22nd)
A Desert 2024 - Movies (Jun 22nd)
Joh Last King Of Queensland 2025 - Movies (Jun 21st)
Marching Powder 2025 - Movies (Jun 21st)
The Woman in the Yard 2025 - Movies (Jun 21st)
Bulletproof A Lesbians Guide to Surviving the Plot 2024 - Movies (Jun 21st)
Delta Dawn 2024 - Movies (Jun 21st)
Bring Them Home 2024 - Movies (Jun 21st)
Its All Gonna Break 2024 - Movies (Jun 21st)
(Iconic) 2024 - Movies (Jun 21st)
Watch What Happens Live with Andy Cohen - (Jun 24th)
Yes Chef - (Jun 24th)
American Ninja Warrior- Ninja vs. Ninja - (Jun 24th)
Tom Kerridge- Secrets of the Pub Kitchen - (Jun 24th)
Billion Dollar Playground - (Jun 24th)
The Derbyshire Auction House - (Jun 24th)
The One Show - (Jun 24th)
Basketball Wives - (Jun 24th)
Ninjago- Masters of Spinjitzu - (Jun 24th)
Kevin Costners The West - (Jun 24th)
The 6000 lb Diaries with Dr. Now - (Jun 24th)
Beyond the Gates - (Jun 24th)
Raw - (Jun 24th)
Crime Scene Investigators - (Jun 24th)
Below Deck - (Jun 24th)
The Rachel Maddow Show - (Jun 24th)
The Last Word with Lawrence ODonnell - (Jun 24th)
Aussie Road Train Truckers - (Jun 24th)
Bargain-Loving Brits in the Sun - (Jun 24th)
Malory Towers - (Jun 24th)
Redbelt may not be, though it’s still pretty good, David Mamet’s best, but it is for the most part an interesting sample of his work in that it showcases some of his most finely honed traits and, more importantly, it is proof that the true mark of a gifted filmmaker is the ability to elevate any genre he chooses to use as raw material (his Spartan is another good example, as is Steven Soderbergh’s Haywire); in this case what we have is a deconstructed martial arts film, complete with a Big Tournament at the end – but the events leading up to it, and how the tournament itself unfolds, are handled with Mamet’s characteristic ear for realistic dialogue, attention to detail, and patience; the necessary patience to allow the plot to develop as a natural and organic succession of characters’ choices and their corresponding consequences, as opposed to, well, a plot. As a result we are spared such clichéd sights as the Training Montage, for instance, or the Romantic Interest. The hero is Brazilian Jiu-Jitsu teacher Mike Terry (Chiwetel Ejiofor), whose mantra is “There is no situation that you cannot turn to your advantage.” In keeping with this, Mamet weaves a script where there are no wasted movements; as in a Rube Goldberg machine, every disparate element – idealistic sensei, shallow Hollywood star, troubled police officer, traumatized female lawyer, long-suffering wife, crooked club owners, shady businessmen, etc., etc., etc. – is interconnected with the others and all serve the story just like all roads lead to Rome. Even something so apparently random as some dude performing sleight of hand in bar in exchange for drinks will eventually fall into place and fit in with rest as neatly as a key going into a lock. Only the ending seems like it was taken straight out of a much inferior movie (think something like a Kickboxer or a Never Back Down), and represents somewhat of an anomaly among Mamet’s filmography which, mostly for better but sometimes for worse, is nothing if not consistent – consider 1988’s Things Change, whose deus ex machina not only had a better set-up but was much easier to swallow because the movie was, after all, a comedy. But here the fanciful climax feels tacked on, especially after the effort made by both the filmmaker and his expert cast to invest the story with a palpable sense of realism. To go out of his way like this, Mamet clearly cared a great deal about the main character – and so will most people who watch the movie, though not necessarily, at least in my case, at the expense of inner logic.
A disgruntled teenager, sent to do community service at a rundown Karate school, enters an MMA tournament to face the man who killed his parents.
The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.
Jimmy Muir comes from a typical gritty, northern town where there are only two options: working down the pit or in a factory. But Jimmy has other ideas - he dreams of becoming a professional footballer. Confronted by a bitter and unsupportive father, hard drinking friends and a lifetime of bad habits...has Jimmy the will to achieve his ultimate goal?
The movie deals with the championship-winning German soccer team of 1954. Its story is linked with two others: The family of a young boy is split due to the events in World War II, and the father returns from Russia after eleven years. The second story is about a reporter and his wife reporting from the tournament.
A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
Based on a true story, in which Richmond High School head basketball coach Ken Carter made headlines in 1999 for benching his undefeated team due to poor academic results.
Doze runs into many problems as he tries to secure funding for what he thinks will be the next mockumentary blockbuster.
British 'Semi-Fictional' sports drama featuring Grand Prix motorcycle racing world champion Barry Sheene as himself. It tells the story of Sheene's pursuit of the world title, including his recovery from a near-fatal accident at Silverstone.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
A girl, Carola, whose vacation in Kenya takes an interesting turn when she becomes infatuated with a Masai. Carola decides to leave her boyfriend to stay with her lover. There, she has to adapt to the Masai's way of life and get used to their food which includes milk mixed with blood. She also has to face her husband's attitude towards women and what he expects from a wife. Nonetheless, Carola is welcomed warmly into the tribe she has chosen to join.
A rush-hour fender-bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that could decimate two people's lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other's life in a reckless effort to reclaim something he has lost.