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Redbelt may not be, though it’s still pretty good, David Mamet’s best, but it is for the most part an interesting sample of his work in that it showcases some of his most finely honed traits and, more importantly, it is proof that the true mark of a gifted filmmaker is the ability to elevate any genre he chooses to use as raw material (his Spartan is another good example, as is Steven Soderbergh’s Haywire); in this case what we have is a deconstructed martial arts film, complete with a Big Tournament at the end – but the events leading up to it, and how the tournament itself unfolds, are handled with Mamet’s characteristic ear for realistic dialogue, attention to detail, and patience; the necessary patience to allow the plot to develop as a natural and organic succession of characters’ choices and their corresponding consequences, as opposed to, well, a plot. As a result we are spared such clichéd sights as the Training Montage, for instance, or the Romantic Interest. The hero is Brazilian Jiu-Jitsu teacher Mike Terry (Chiwetel Ejiofor), whose mantra is “There is no situation that you cannot turn to your advantage.” In keeping with this, Mamet weaves a script where there are no wasted movements; as in a Rube Goldberg machine, every disparate element – idealistic sensei, shallow Hollywood star, troubled police officer, traumatized female lawyer, long-suffering wife, crooked club owners, shady businessmen, etc., etc., etc. – is interconnected with the others and all serve the story just like all roads lead to Rome. Even something so apparently random as some dude performing sleight of hand in bar in exchange for drinks will eventually fall into place and fit in with rest as neatly as a key going into a lock. Only the ending seems like it was taken straight out of a much inferior movie (think something like a Kickboxer or a Never Back Down), and represents somewhat of an anomaly among Mamet’s filmography which, mostly for better but sometimes for worse, is nothing if not consistent – consider 1988’s Things Change, whose deus ex machina not only had a better set-up but was much easier to swallow because the movie was, after all, a comedy. But here the fanciful climax feels tacked on, especially after the effort made by both the filmmaker and his expert cast to invest the story with a palpable sense of realism. To go out of his way like this, Mamet clearly cared a great deal about the main character – and so will most people who watch the movie, though not necessarily, at least in my case, at the expense of inner logic.
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
Nothing gets between Anne Marie and her board. Living in a beach shack with three roommates, she is up before dawn every morning to conquer the waves and count the days until the Pipe Masters competition. Having transplanted herself to Hawaii with no one's blessing but her own, Anne Marie finds all she needs in the adrenaline-charged surf scene - until pro quarterback Matt Tollman comes along...
Disgraced pro football quarterback Paul Crewe lands in a Texas federal penitentiary, where manipulative Warden Hazen recruits him to advise the institution's football team of prison guards. Crewe suggests a tune-up game which lands him quarterbacking a crew of inmates in a game against the guards. Aided by incarcerated ex-NFL coach and player Nate Scarborough, Crewe and his team must overcome not only the bloodthirstiness of the opposition, but also the corrupt warden trying to fix the game against them.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star — the first totally believable synthetic actress.
A baseball legend almost finished with his distinguished career at the age of forty has one last chance to prove who he is, what he is capable of, and win the heart of the woman he has loved for the past four years.
A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?
After reckless young lawyer Gordon Bombay gets arrested for drunk driving, he must coach a kids hockey team for his community service. Gordon has experience on the ice, but isn't eager to return to hockey, a point hit home by his tense dealings with his own former coach, Jack Reilly. The reluctant Gordon eventually grows to appreciate his team, which includes promising young Charlie Conway, and leads them to take on Reilly's tough players.
Marlene is a 2000 German biopic film directed by Joseph Vilsmaier and starring Katja Flint, Hans Werner Meyer and Herbert Knaup. It follows the life of the German actress Marlene Dietrich and her success in Hollywood.
Disgraced ex-England football captain, Danny 'Mean Machine' Meehan, is thrown in jail for assaulting two police officers. He keeps his head down and has the opportunity to forget everything and change the lives of the prisoners. When these prisoners have the chance to put one over the evil guards during a prison football match, Danny takes the lead.
A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors' and victims' families prepare a class-action suit, but his efforts only seem to push the townspeople further apart. At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.