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Tribunal Justice - (Apr 18th)
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Redbelt may not be, though it’s still pretty good, David Mamet’s best, but it is for the most part an interesting sample of his work in that it showcases some of his most finely honed traits and, more importantly, it is proof that the true mark of a gifted filmmaker is the ability to elevate any genre he chooses to use as raw material (his Spartan is another good example, as is Steven Soderbergh’s Haywire); in this case what we have is a deconstructed martial arts film, complete with a Big Tournament at the end – but the events leading up to it, and how the tournament itself unfolds, are handled with Mamet’s characteristic ear for realistic dialogue, attention to detail, and patience; the necessary patience to allow the plot to develop as a natural and organic succession of characters’ choices and their corresponding consequences, as opposed to, well, a plot. As a result we are spared such clichéd sights as the Training Montage, for instance, or the Romantic Interest. The hero is Brazilian Jiu-Jitsu teacher Mike Terry (Chiwetel Ejiofor), whose mantra is “There is no situation that you cannot turn to your advantage.” In keeping with this, Mamet weaves a script where there are no wasted movements; as in a Rube Goldberg machine, every disparate element – idealistic sensei, shallow Hollywood star, troubled police officer, traumatized female lawyer, long-suffering wife, crooked club owners, shady businessmen, etc., etc., etc. – is interconnected with the others and all serve the story just like all roads lead to Rome. Even something so apparently random as some dude performing sleight of hand in bar in exchange for drinks will eventually fall into place and fit in with rest as neatly as a key going into a lock. Only the ending seems like it was taken straight out of a much inferior movie (think something like a Kickboxer or a Never Back Down), and represents somewhat of an anomaly among Mamet’s filmography which, mostly for better but sometimes for worse, is nothing if not consistent – consider 1988’s Things Change, whose deus ex machina not only had a better set-up but was much easier to swallow because the movie was, after all, a comedy. But here the fanciful climax feels tacked on, especially after the effort made by both the filmmaker and his expert cast to invest the story with a palpable sense of realism. To go out of his way like this, Mamet clearly cared a great deal about the main character – and so will most people who watch the movie, though not necessarily, at least in my case, at the expense of inner logic.
A young hell raiser quits his moonshine business and tries to become the best NASCAR racer the south has ever seen. Loosely based on the true story of NASCAR driver Junior Johnson.
Ken Harrison is an artist that lives to make sculptures. One day he is involved in a car accident, and is paralyzed from his neck down. All he can do is talk and move his head, and he wants to die. Whilst he is in hospital he makes friends with some of the staff, and they support him when he goes to trial to be allowed to die.
David Essex stars as Nick Freeman, a motorcycle racer who, following the death of his brother, inherits a revolutionary prototype motorcycle, and is determined to race it at the British Grand Prix at Silverstone.
Former football star Harry Joplin is down on his luck, both in his career and in his married life. He seems convinced of his own unworthiness, but a chance to play in a charity football game helps him see his life in a new light.
A tennis player had to end her career following an accident. At her home, a noise coming from the top apartment reminds her permanently of the accident she suffered. She will have to find a solution so that the noise stops
Haruka Nanase loves the water! Together with his friends Makoto, Nagisa and Rei, he founds the Iwatobi Swimming Club, where he can freely develop his own swimming style. Together with their old friend Rin and his team from the Samezuka Swimming Club, they compete in a wide variety of competitions. But what happens to the team after they graduate from school?
Louisiana football star Gavin Grey had it all. He was an All-American champion who married his high-school sweetheart, homecoming queen Babs Rogers, and who was a hero to his hometown. Yet after a failed professional career, Gavin realizes that fame and success have passed him by and that he no longer is the hero everyone keeps reminding him he should still be. His dissatisfaction with his life leads to strains in his marriage, and Gavin begins to wonder who he is, if he's not a hero anymore.
The hot-tempered, unruly players of this pub league soccer team are in dire straits after having lost everything - their drive, their skills and soon, their playing field. When mysterious Walter Keegan shows up offering to be their coach, captain Bubbles and the rest of his loopy, obnoxious teammates are so desperate to succeed, they agree to give him the job. Drilled into the ground with a fierce discipline they have never known, the team pushes beyond their aches and pains to gain not only redemption on the field, but more importantly, their self-respect.
The modus operandi of the Sprout is to show the surfing culture how truly lucky we are to live in the lush life of the ocean experience, and emphasize all the diverse possibilities we have in accessing this fountain of youth. Riding eggs, fishes, traditional sytle longboards and the modern shorty. Every wave is a new possiblity. Shot entirely on 16mm film.
The life of Primo Carnera a.k.a. "Ambling Alp", Italian professional boxer and the World Heavyweight Champion from June 1933 to June 1934, but also accused by some of having ties to the mob.
A Greek man falls for an injured French woman. When he is informed of her death, he continues to sing under her hospital window every night.