Ghost Game 2024 - Movies (Oct 22nd)
Camera 2024 - Movies (Oct 22nd)
Classified 2024 - Movies (Oct 22nd)
Uncharted 2023 - Movies (Oct 22nd)
Transformers One 2024 - Movies (Oct 22nd)
Scouting for Christmas 2024 - Movies (Oct 21st)
Smile 2 2024 - Movies (Oct 21st)
Deadpool and Wolverine 2024 - Movies (Oct 21st)
The Devils Climb 2024 - Movies (Oct 21st)
Carved 2024 - Movies (Oct 21st)
A Vintage Christmas 2024 - Movies (Oct 21st)
South Park Joining the Panderverse 2023 - Movies (Oct 21st)
The Last Stop in Yuma County 2023 - Movies (Oct 20th)
The Soul Eater 2024 - Movies (Oct 20th)
Holiday Crashers 2024 - Movies (Oct 20th)
Mel Buttle Let Me Know Either Way 2024 - Movies (Oct 20th)
Ms. Information 2023 - Movies (Oct 20th)
The Football Fraudster 2023 - Movies (Oct 20th)
Eat / Sleep / Cheer / Repeat 2024 - Movies (Oct 20th)
A Horse Named Winx 2024 - Movies (Oct 20th)
Join or Die 2023 - Movies (Oct 20th)
Taskmaster - (Oct 22nd)
Roux Down The River - (Oct 22nd)
Letters and Numbers - (Oct 22nd)
The 11th Hour with Stephanie Ruhle - (Oct 22nd)
Below Deck Sailing Yacht - (Oct 22nd)
Shaun Micallefs Origin Odyssey - (Oct 22nd)
The Block - (Oct 22nd)
Back Roads - (Oct 22nd)
Tipping Point Australia - (Oct 22nd)
Deal or No Deal - (Oct 22nd)
Lidias Kitchen - (Oct 22nd)
After Midnight - (Oct 22nd)
Return to Las Sabinas - (Oct 22nd)
My Brilliant Friend - (Oct 22nd)
Ancient Aliens- Origins - (Oct 22nd)
Hoarders - (Oct 22nd)
The Boulet Brothers Dragula - (Oct 22nd)
The Traitors Canada - (Oct 22nd)
Drag Race Spain - (Oct 22nd)
Lucky - (Oct 22nd)
C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.
"This is taking a Super 8mm camera around with me wherever I go and I'm very interested in windows at this time of travel, and I'm trying to make a variety of different statements about the concept of window." - S.B.
While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.
I Can’t Get Away is a three-channel black-and-white silent video. The video depicts 4 sequences: a figure perpetuating walking away; a figure bounded to an immobile tree; a figure running away from another figure, and vice versa. The performances of stages within the grieving process, different modes and processes to grapple with loss and the sensibilities that comes with mourning impermanence.
An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.
Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards.
A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
An intimate look at pioneering artist George Platt Lynes, who took radically explicit photographs of the male nude. The documentary reveals Lynes’ gifted eye for the male form, his long-term friendships with Gertrude Stein and Alfred Kinsey, and his lasting influence as one of the first openly gay American artists.