Something in the Water 2024 - Movies (Oct 18th)
LEGO Marvel Avengers Mission Demolition 2024 - Movies (Oct 18th)
Rippy 2024 - Movies (Oct 18th)
Happiness Is 2024 - Movies (Oct 18th)
Woman of the Hour 2023 - Movies (Oct 18th)
Die Alone 2024 - Movies (Oct 18th)
Lee 2023 - Movies (Oct 18th)
Bagman 2024 - Movies (Oct 18th)
The Stoic 2024 - Movies (Oct 18th)
Fanatical The Catfishing of Tegan and Sara 2024 - Movies (Oct 18th)
Deadpool and Wolverine 2024 - Movies (Oct 17th)
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Nos Amours The Saga of the Expos of Montreal 2024 - Movies (Oct 17th)
Untapped Closing America’s Opportunity Gap 2024 - Movies (Oct 17th)
Borderlands 2024 - Movies (Oct 17th)
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Tierra de Nadie 2024 - Movies (Oct 17th)
Brothers 2024 - Movies (Oct 17th)
9 Windows 2024 - Movies (Oct 17th)
Seven Cemeteries 2024 - Movies (Oct 17th)
Richard Osmans House of Games - (Oct 18th)
Chris Jansing Reports - (Oct 18th)
The Bidding Room - (Oct 18th)
Andrea Mitchell Reports - (Oct 18th)
Homes Under the Hammer - (Oct 18th)
Angel of Death - (Oct 18th)
Ayla and The Mirrors - (Oct 18th)
Jersey Shore- Family Vacation - (Oct 18th)
Hairy Bikers Everyday Gourmets - (Oct 18th)
Crimewatch Live - (Oct 18th)
Letters and Numbers - (Oct 18th)
The Chase - (Oct 18th)
The Kelly Clarkson Show - (Oct 18th)
Watch What Happens Live with Andy Cohen - (Oct 18th)
RPA - (Oct 18th)
The 11th Hour with Stephanie Ruhle - (Oct 18th)
The Real Housewives of Orange County - (Oct 18th)
Scrabble - (Oct 18th)
Trivial Pursuit - (Oct 18th)
Hysteria - (Oct 18th)
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.
In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down
In Namibia, a country where sodomy is still a crime and gay relationships are stigmatized against, two lives intersect: George, a middle-class insurance broker living in central town, Windhoek, and Simeon, a kapana seller who lives in Katutura, Windhoek's township. Two secrets. One unlikely meeting in a bar.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 3: American Boy contains seven complete films: Adam Salky's "Dare" starring Adam Fleming, Michael Cassidy, and Marla Burkholder; Jody Wheeler's "In The Closet" starring J.T. Tepnapa and Brent Corrigan; Dennis Shinners's "Area X" starring Matt Schuneman and Antony Raymond; Julian Breece's "The Young & Evil" starring Vaughn Lowery, Diana Elizabeth Jordan, and Reggie Watkins; Brian Krinsky's "Dish :)" starring Matthew Monge, Jeff Martin, and Octavio Altamirano; Carter Smith's "Bugcrush" starring Josh Caras and Donald Cumming; and Kyle Thomas Coker's "Astoria, Queens" starring Aaron Michael Davies, James Heffron, Sangeeta Parekh, and Hayley Thompson-King.
Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.
Experience an alternative take on attraction with Boys On Film. Bad Romance explores the darker side with a collection of edgy and sexy short films, including: Alain Hain's "Curious Thing" starring Danny Bernardy and Matthew Wilkas; Christoph Scheermann's "Cake and Sand" starring Bartholomew Sammut and Jan Andreesen; Michael Rozanov's "Watch Over Me" starring Guy Kapulnik and Davidi Hoffman; Joachim Back's "The New Tenants" starring David Rakoff and Jamie Harrold; Kim Jho Gwang-soo's "Just Friends?" starring Lee Je-hoon and Yeon Woo-jin; Étienne Desrosiers's "Mirrors" starring Xavier Dolan, Stéphane Demers, and Julie Beauchemin; Christopher Banks's "Communication" starring Rudi Vodanovich and Alexander Campbell; Tomer Velkoff's "The Traitor" co-starring Shmulik Goldstein; Christopher Radcliff and Lauren Wolkstein's "The Strange Ones" starring David Call, Tobias Campbell, and Merritt Wever; and Tamer Ruggli's "Cappuccino" starring Benjamin Décosterd and Manuela Biedermann.
From the cliffs of the Isle of Wight to an abandoned swimming pool in Lambeth, Boys On Film 8: Cruel Britannia presents an eclectic mix of ten UK-set short films including: Harry Wootliff's "I Don't Care" starring Iwan Rheon; Ben Peters's "Downing" starring Jamie Brotherston and Ross William Wild; David Andrew Ward's "All Over Brazil" starring Iain De Caestecker, Frank Gallagher, and Gemma Morrison; David Leon and Marcus McSweeney's "Man and Boy" starring Eddie Marsan, Geoff Bell, and Eddie Webber; Aleem Khan's "Diana" starring Neeraj Singh; Jason Bradbury's "We Once Were Tide" starring Alexander Scott, Tristan Bernays, and Mandy Aldridge; Hong Khaou's "Spring" starring Chris O'Donnell and Jonathan Keane; Sybil H. Mair's "The Chef's Letter" starring Jonathan Firth, Ray Fearon, and Layke Anderson; Faryal's "What You Looking At?!" starring Rez Kabir, Michael Twaits, and Hussina Raja; and Dominic Leclerc's "Nightswimming" starring Harry Eden, Linzey Cocker, and Tim Dantay.
Youth In Trouble is the ninth edition to Boys On Film, the world's most successful short film series. This compilation features eight complete films: Bretten Hannam's "Deep End" starring Bailey Maughan, Gharrett Patrick Paon, and Denis Theriault; Caru Alves de Souza's "Family Affair" starring Cláudia Assunção, Kauê Telloli, and Ney Piacentini; James Cook's "Together" starring Lucas Hansen, Ben Owora, and Stuart Evans; Carlos Montero's "Easy Money" starring Mario Casas, Ales Furundarena, and Christian Mulas; Grant Scicluna's "The Wilding" starring Reef Ireland, Luke Mullins, and Shannon Glowacki; Dee Rees's "Colonial Gods" starring Cornell John and Said Mohamed; Benjamin Parent's "It's Not a Cowboy Movie" starring Malivaï Yakou, Finnegan Oldfield, and Garance Marillier; and Stéphane Riethauser's "Prora" starring Tom Gramenz and Swen Gippa.
An intersex runaway searches for love and a way out of his working class neighborhood in New Jersey.
A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.