#RimavskaPomahaUkrajine

A Hazara film director follows a gravestone maker, a water girl and a man who buried his limb, as their daily lives unfold in a graveyard.

Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?

A revealing and moving portrait of lives compromised by war, filmed exclusively by Ukrainian soldiers with extraordinary access to a tightly-controlled frontline.

Life Under the Horseshoe is a fun, entertaining and historical look at Spring City, Utah's only live FM stage radio show. The film teaches us a little about history while taking us back to the golden age of radio. The documentary interviews Mark and Vicki Allen, the show hosts while learning more about their interesting, but opposite family history. The film also highlights the historical Victory Hall, a one-hundred-year-old restored vaudeville theater on Main Street, and "Spit & Whittle" Avenue, where Charlie (1885-1936), son of Simon Beck, had a bench the women of the town called the "Bummer's Bench." The men claimed it was where important community events were discussed and decisions made. Simon's son Charlie, paralyzed at an early age, presided at the bench providing advice and wisdom to all comers.

In A Town This Size introduces an Oklahoma town and its long-suppressed tragedy of childhood sexual abuse. The abuser, a prominent and trusted former pediatrician is, through this film and for the first time, held accountable for the actions he cleverly perpetrated. Stories are told through poignant first-person interviews with his victims, their families and professionals. This film brings to viewers an unnerving familiarity with the lifelong devastation resulting from this kind of abuse. Covering events in the 1960s and 1970s and continuing into present times, these personal stories devastate, frustrate and inspire. In A Town This Size moves audiences to confront child sexual abuse as a primary social issue and presses for changes in state statutes of limitation.

Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.

Parents try to understand why their children traveled from Britain to join the Kurdish army in their fight against Isis, in Syria, where they died fighting fighting someone else's war.

A documentary, using dramatization of fact, that examines the Battle of Verrières Ridge, where on July 25, 1944 and not long after D-Day, an inexperienced battalion of the Canadian Black Watch Regiment launched a doomed attack and was defeated with heavy casualties by veteran German SS troops. Part of "The Valour and the Horror" mini series.

Mark and Dan Jury document the gradual demise of a community nestled within the Cuyahoga National Recreation Area between Akron and Cleveland, Ohio, as the National Park Service works to acquire the land of ~500 residents in order to establish a National Park. After initially being told only a handful of houses would be taken, residents are shocked by hundreds of homes and businesses being bought up, boarded up, and posted No Trespassing - and by the homes of the politically connected being spared. Significant portions of this film appeared in the PBS FRONTLINE episode For the Good of All.