Family Feud Canada - (Mar 18th)
Crimewatch Live - (Mar 18th)
Australian Idol - (Mar 18th)
Small Achievable Goals - (Mar 18th)
Son of a Critch - (Mar 18th)
Gypsy Rose- Life After Lock Up - (Mar 18th)
The Chase Australia - (Mar 18th)
Two Ways With Erica Mena - (Mar 18th)
The Real Housewives of Sydney - (Mar 18th)
The 11th Hour with Stephanie Ruhle - (Mar 18th)
Come Dine With Me- South Africa - (Mar 18th)
Married at First Sight - (Mar 18th)
The Real Manhunter - (Mar 18th)
Watch What Happens Live with Andy Cohen - (Mar 18th)
Tribunal Justice - (Mar 18th)
The Voice - (Mar 18th)
Great British Menu - (Mar 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A short prior to World War I film which captures festivities at a fair near a church in Bitola.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
The last surviving natives of the Llaganes and Alacalufes tribes can be seen on the canals of southern Chile.
From Chris Marker's collection Bestiaire aka Petit Bestiaire (1990), consisting of three video haikus.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen - through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things - that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers - that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.
Rock and roll megastars The Psychadelic Hix are about to embark on their long anticipated world tour. However, the hype is tarnished by rumors of the group’s association with the mysterious Muncie Ball Beer Cult, which indoctrinates young Hix fans into moving to the coast of Maine and marrying lighthouse keepers.
More than 60,000 of Ernest Cole’s 35mm film negatives were inexplicably discovered in a bank vault in Stockholm, Sweden. Most considered these forever lost, especially the thousands of pictures he shot in the U.S. Told through Cole’s own writings, the stories of those closest to him, and the lens of his uncompromising work, the film is a reintroduction of a pivotal Black artist to a new generation and will unravel the mystery of his missing negatives.