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Risky adaptation of a great musical with catchy songs. Carl Anderson performs a great Judas. Some of the other actors are quite good too, like Barry Dennen as Pontius Pilate but Ted Neeley as Jesus is quite a whimp. In any case, a very interesting adaptation of a musical which deserves to be watched at least once.
Norman Jewison shipped everyone to Israel to help give this adaptation of the Lloyd Webber/Rice hit rock opera as much authenticity as possible for the big screen. Ted Neeley dons the robes for the title role and ably aided by a very much on form Carl Anderson (Judas) and Yvonne Elliman (Mary Magdalene) reimagines the stage performances that take us from modern day through the ages to the lifetime of Christ. Neeley certainly has that established look to him, but I actually found him rather underwhelming (it doesn't help that his are certainly not the best numbers). As the story gathers momentum the other two very much come into their own leading an ensemble cast that mixes historical and contemporary styles of music and dance, language and imagery to try to modernise (1970s style) this provocative story. Josh Mostel turns in quite a fun routine as the slightly camp King Herod, and Barry Dennen likewise as the conflicted governor Pilate but for me the whole thing really belongs to Anderson's traitor. The settings serve it well, Douglas Slocombe knows well how to use the ancient monuments and some modern lighting to deliver that extra layer to differentiate it from the stage performance - which, at times, this all too closely resembles. Groundbreaking it certainly was, but time hasn't been especially kind to it and fifty years on it almost comes across as much of a parody as "Life of Brian" (1979). Still, "I Don't Know How to Love Him", "Everything's Alright", "Heaven on their Minds" and the powerful "Gethsemane" offer robust lyrics for the unfolding story of the last few days of Jesus. I did enjoy this on stage, but this film not so much...
Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.
In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Singing sailor Hannes, who now entertains the crowd at St. Pauli's Hippodrome after years at sea, promises his dying brother that he will take care of his ex-girlfriend Gisa. Taking Gisa to Hamburg to live with him, Hannes quickly falls in love with her, but soon has to face Gisa's affection for another man, Willem.
While his parents are on holiday, Huey and his buddies borrow their car and go out. After pursuing a gang of girls, Huey crashes the car, and discovering that the repairs will cost a small fortune, the boys must get jobs to pay for the repairs before Huey's parents get home. The boys all land jobs as porters in the Beachfront Hotel, where their minds are taken off their problems by girls!!
An uptight English writer traveling to Crete on a matter of business finds his life changed forever when he meets the gregarious Alexis Zorba.
Abby is a pregnant woman with a curious new boarder in the apartment over her garage. Turns out he's heaven-sent and is speeding along the Apocalypse by bloodying rivers, egging on plagues and following scripture word for word.
Set in mid-70's, 12-year old Dvir Avni navigates between the equality values of his home-born Kibbutz and the relationship with his undermined mother, whom the Kibbutz members will to denounce.
A snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.
A Hollywood agent persuades Kermit the Frog to leave the swamp to pursue a career in Hollywood. On his way there, he meets a bear, a pig, a whatever – his future muppet crew – while being chased by the desperate owner of a frog-leg restaurant!
"Do We Really Have to Give Up Our Day Jobs?" - A documentary about the making of the album Speak & Spell, featuring interviews with the group including former band member Vince Clarke and other relevant personnel such as Daniel Miller. It features various vintage footage, such as appearances on Top of the Pops and BBC Speak & Spell Tour recordings.