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All In with Chris Hayes - (Mar 8th)
The Nature of Things - (Mar 8th)
NCIS- Sydney - (Mar 8th)
Gold Rush - (Mar 8th)
Cops - (Mar 8th)
The Beat with Ari Melber - (Mar 8th)
S.W.A.T. - (Mar 8th)
The Last Leg - (Mar 7th)
Crufts - (Mar 7th)
True Crime Presents - (Mar 7th)
Gardening Australia - (Mar 8th)
Extraordinary Portraits - (Mar 8th)
Beyond the Gates - (Mar 8th)
Four in a Bed - (Mar 8th)
Deadline- White House - (Mar 7th)
Gogglebox - (Mar 7th)
Dateline- Unforgettable - (Mar 7th)
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Chris Jansing Reports - (Mar 7th)
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You can just imagine the scenario. "Bernard" (Gerard Depardieu) is living quite contentedly with his wife "Arlette" (Michèle Baumgartner) and their young son when they get new next-door neighbours. "Philippe" (Henri Garcin) and wife "Mathilde" (Fanny Ardant). Well ardent might have been a more appropriate spelling as it turns out that "Bernard" and "Mathilde" have a bit of history that time hasn't quite satiated. Ostensibly, they present a friendly front to their respective families and neighbours, but we soon appreciate the things are smouldering and that events eight years ago did not end well - for either of them. With their behaviour becoming more erratic and tensions mounting, well who knows what's going to happen next. This might be my favourite Depardieu performance as he really does thrown himself into the role body and soul, and with Ardant delivering an equally impassioned characterisation we are presented with a lively, tempestuous and at times quite visceral series of scenes as things spiral out of control. I'm not always a fan of narration but here, the sparing use of commentary from local tennis club boss "Madame Jouve" (Véronique Silver) helps fill in the gaps but also lets off some of the steam - physically and metaphorically, as the story becomes more involved. Talk about neighbours from hell...!
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
An eccentric family is re-united during the 1968 general strike in France, after the death of the grandmother.
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.
Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.