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NEXT at the Kennedy Center - (Jan 1st)
Live at the Apollo - (Jan 1st)
The Last Leg - (Jan 1st)
Star Wars- Skeleton Crew - (Jan 1st)
QI - (Jan 1st)
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Gutfeld - (Dec 31st)
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The View - (Dec 31st)
The Count of Monte Cristo - (Dec 31st)
Raw Talk - (Dec 31st)
Family Feud Canada - (Dec 31st)
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Shaun Micallefs Eve of Destruction - (Dec 31st)
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Great Pretender - (Dec 31st)
In 1993, Jesús Parrado interviewed actor and director Jacinto Molina, world-wide known as Paul Naschy, and director Amando de Ossorio, two key figures of the Spanish fantasy cinema. In 2019, part of this footage is rescued. The rest has lost forever.
Welcome to the Private Life of Kyle Ross. In this intimate documentary, you'll get to know the boy behind the star. From his corporate gig at Helix Studios to the dissolution of his high profile relationship, nothing is off the table. Intent on bending stereotypes and gracefully aging in an industry that celebrates youth, Kyle shares the work that goes into maintaining an image while simultaneously shedding it. After all, he's always enjoyed a contradiction.
A short in the WB Hollywood Novelty series (production number 7301) about the training of polo ponies. Buddy Rogers buys one of the ponies in training, and later uses him in a match where Jack Holt and Joe E. Brown are among the players. Edward G. Robinson and Jack Oakie are among the spectators who see Joe. E. Brown knock in the winning score.
The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.