Mulheres na fogueira

The documentary deals with the topic of body positivity and shows how different we can be depending on the environment.

A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.

Karol is performing as a drag queen, Lola. He's trying to fit into the new environment and find his true self.

When we depend on others...

In the hills of rural Pennsylvania, the leader of a local militia must prepare his men for the turbulent political landscape of 2020 while at war with his own conscience. For over ten years, 48-year-old Iraqi War Veteran and machinist Christian Yingling has commanded a troop of private militiamen and women concerned with the government’s infringement on their constitutional rights. The group practices paramilitary drills, stockpiles food and ammo, and attends gun rights rallies in preparation for a doomsday scenario. Now that a worldwide pandemic has hit, followed by a summer of racial injustice protests and a Presidential election like no other, Christian—out of work and nearly out of money—must confront his allegiance and choose to act or not.

The film shows the spatial distribution and the behaviour of the Mediterranean demoiselle Calopteryx haemorrhoidalis on typical reproduction waters. The great importance of suitable perches becomes obvious. These perches, e. g. single rush stems, are used by immature, hunting individuals as well as by reproductive males that are controlling territories from these sites. The latter chase all other individuals, the result being a spatial segregation between immature and reproductive specimens during the day. Typical behaviour, such as threatening, courting, copulation, and oviposition is shown in different film speeds.

Meet Rocky Salemmo. He’s a ramblin’ gamblin’ man. For the majority of his adult life Rocky has hustled bowling for a living. Here is his story. A short documentary about booze, broads and bowling.

In September 2015, the state of Alabama closed 31 Department of Motor Vehicles offices, disproportionately affecting African-American communities and their ability to register to vote. A band-aid solution in the form of a pop-up mobile voter registration unit is quickly dispatched. It's so disorganized and unprofessional it could be a comedy skit—if it weren't so infuriatingly disrespectful.

For 25 centuries the Parthenon has been shot at, set on fire, rocked by earthquakes, looted for its sculptures, and disfigured by catastrophic renovations. To save it from collapse, the modern restoration team must uncover the secrets of how the ancient Greeks built this icon of western civilization in less than nine years without anything resembling an architectural plan.

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.