The Trial of Sergeant Joanis

When thirteen-year-old Raúl is asked to entertain the local landowner's son, a game of power and pride starts between the two boys.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Lili refuses to let go of her childhood fights a sandstorm who threatens to take it away.

Two uni students attempt to cheat a test with Morse Code. However, when faced with the wicked Mr. Dicks, they'll need a lot more than pen tapping if they wish to prevail...

Revive is one of five short films within the Jia Zhangke-produced omnibus film Where Has Time Gone? with contributions from each of the BRICS countries (Brazil, Russia, India, China, and South Africa). In Jia’s segment, a Chinese couple in the ancient town of Pingyao attempts to breathe new life into their old love as they ponder having a second child. Pingyao, home to the film festival Jia has co-founded, is a highly picturesque UNESCO World Heritage Site, and Jia humorously plays with a very recent dilemma – the second child policy dates from only 2013 – in a setting itself forcibly revived from history.

Aningaaq, an Inuit fisherman camping on the ice over a frozen fjord, talks through a two way radio with a dying astronaut who is stranded in space, 500 kilometers above Earth. Even though he doesn't speak English and she doesn't speak Greenlandic, they manage to have a conversation about dogs, babies, life and death.

A lonely woman who takes care of her paralyzed husband saves an alien who cannot experience emotions.

First timer Aaron goes to buy from a sketchy dealer, when he's invited inside a weird friendship starts to blossom. Until everything begins to spiral out of control.

A tale of being different and growing up.

"Nothing Escapes My Eyes" is about a silent transformation of a place and a human being. Inspired by the texts of Edward W. Said, the poems of Mahmoud Darwish and Verdi’s opera Aida, the film depicts in a metaphoric form current issues of cultural identity, loss and the pressures to conform. With no dialogue, the film is backed by a musical excerpt from Aida whose lyrics express the difficulties of being loyal to one’s country and cultural identity. The personal and urban transformation tackles on issues of identity, loss and disorientation as a result of historical colonialism and contemporary globalization.

On a hot summer day in a lower-income neighborhood, a black girl learns to take the lead on her own terms.