Exposure

The sequel to Jennifer Blanc's cult hit 2013 film "The Night Visitor". Directed by that film's star Brianne Davis, The Night Visitor 2:HEATHER'S STORY runs parallel to the original Night Visitor, telling the story of Heather, a special young girl, who must protect her family and the planet from the same other-earthly being. The sequel delves deeper into the mysteries that plagued the Stevens family and their son Ricky with the help of psychic and medium Daniel.

Every year, hundreds of people go missing after using online classified ads. No case is as bizarre and unexplainable as this. In November of 2017, a broken video camera and smart phone were recovered from a recycling centre. The camera houses a memory card that contained disturbing and unexplainable material. This is that material. The following is not for viewers of a sensitive disposition.

A woman arrives from a trip, only to find her house a bit different from what she remembers.

Jobe is resuscitated by Jonathan Walker. He wants Jobe to create a special computer chip that would connect all the computers in the world into one network, which Walker would control and use. But what Walker doesn't realize is a group of teenage hackers are on to him and out to stop his plan.

Dylan Prescott an expressionist painter, struggles with substance abuse, untreated bipolar disorder, a recently deceased mother and neglected childhood trauma. Dylan must face his deepest fears in a reoccurring dream; while checked into rehab. He is ready to take back his life and salvage the closest relationships, even if they are dead.

Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

Young lovers Ann and Gero are travelling through Europe when their car breaks down in the Eifel mountains. Vinzent and Franz invite them to spend a carefree weekend partying in a remote holiday cabin. But after a playful ‘séance’ their initial bright mood soon becomes uneasy as strange occurrences start to take place with alarming regularity...

A man is unknowingly filmed by a stalker.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

When the dead discover a means to contact the living through electronic devices, cellphones and computers become open gateways to monstrosities and destruction.

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.