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**_A romantic-comedy that's actually really good_** A group of rich Americans take a private cruise from Greece to Italy where a spoiled middle-aged woman, Amber (Madonna), mentally abuses the crew, in particularly the first mate Pepe (Adriano Giannini) whom she constantly refers to as PeePee. The crew puts up with her pompous antics because she's the paying customer, but everything changes when Amber and Pepe are stranded on a deserted Island, putting Pepe in a position of control. "Swept Away" is a 2002 remake of the 1974 Italian film starring Madonna and directed/written by Madonna's (then) husband Guy Ritchie. Despite what you may have heard, it's fun and entertaining, but also thought-provoking and moving. For the record, I'm not a follower of Madonna; I neither love her nor hate her. In fact, I almost didn't watch this film because she starred in it, but I gave-in because I'm a sucker for survival-on-deserted-island flicks. I'd also like to point out that I've never seen the original '74 film, so I have no nostalgic bias. "Swept Away" failed at the box office in 2002, but only because it was barely released to theaters and critics condemned it before it was even completed. It subsequently swept (away) the Razzies as the worst picture and a bandwagon effect developed with everyone jumping into the negative feeding frenzy. Is it really THAT bad? No. Not even close. "Swept Away" starts as a fun, entertaining farce and morphs into a potent social commentary and, finally, a moving love story. The movie will make you laugh, make you angry, make you cry and ultimately move you -- no kidding. But it will only have this effect IF you refuse to listen to the drivel of the cookie-cutter critics and give it a chance. As for Madonna, she's no Meryl Streep but she successfully makes you despise Amber in Act 1 and feel for her later on. She made me believe Amber was a real person. What more do you want? I'm not an anti-capitalist but the film effectively points out the flaws of this system. It also effectively reveals how money/materialism can't of itself give true happiness, love or fulfillment. Amber had everything but was the most unhappy, loathsome person you'd likely ever meet. One reviewer referred to the film as a "wife beater's fantasy" but failed to point out that it could just as easily be called a "Man torturer's fantasy" or "Man emasculater's fantasy." Let's be evenhanded with our appraisals. I admit the physical abuse of Amber on the island (slapping, kicking and especially the faux-rape) is disturbing and almost tempted me to tune out, but then I saw what the filmmakers were shooting for, the filmmakers being Madonna and her husband. In our society we've been misled to believe that mental abuse is less abusive because it's not physical. This film effectively shows that mental abuse can be just as bad, if not worse. ***SPOILER ALERT*** During the first half hour Amber horribly torments and emasculates Pepe (and others) because she's a spoiled brat and in control. When the tables are turned and she loses control on the island Pepe utilizes extreme measures to de-spoil Amber. In other words, Pepe realized that Amber was so far gone -- so utterly spoiled -- that she literally needed slapped back to reality. This is in line with a biblical proverb "Blows and wounds cleanse away evil and beatings purge the inmost being." Let's face it, some people are so far gone (that is, spoiled) that they literally need the snot beat out of them -- that's the only thing that's going to wake 'em up to reality. Apparently Pepe realized this on the island and acted accordingly. Do I think he goes too far? Yes, but -- then again -- I wasn't the one mentally tormented for days on the boat and totally emasculated in front of others. Regardless, the story shows that his methods worked -- Amber was humiliated to the point of seeing life from a totally different perspective, a much-needed new perspective. Pepe's discipline ultimately brings out spiritual character in Amber to the point where she refuses to call on passing boats to save her from her exile (two moving scenes, by the way). Why? Because she's been delivered from the bondage of selfishness, arrogance and materialism; she has experienced true love, fulfillment, team-work, companionship and independence (remember, she DOES learn how to fish for herself) for the first time in her life. It becomes more precious than gold to her and she doesn't want to let it go. Again, I think Pepe goes too far with the physical abuse (in fact, I don't believe in physical ABUSE at all); he should've stopped with a couple of slaps, at most, but the filmmmakers are (evidently) saying she was so far gone that extreme measures were necessary. Besides, didn't she make her own bed, so to speak? Let her lie in it. ***END SPOILER*** The fact that Madonna -- one of the most successful women in history and the original "material girl" -- utilized this film to make this point speaks volumes. Is it a sign of weakness? No, it's a sign of enlightenment and spiritual strength. BOTTOM LINE: "Swept Away" is much better than similar flicks like 1998's "Six Days, Seven Nights" with Harrison Ford and Anne Heche. Why? Because, not only is it fun and entertaining, it's also thought-provoking and moving. Really, what more do you want from a stranded-on-a-deserted-island romantic-comedy? Needless to say, those who go overboard with the negative criticism need to get real. The film runs a short-but-sweet 89 minutes and was filmed in Sardinia and Malta. The DVD features a 20-minute making-of piece with Madonna and Guy Ritchie interviewing each other. It's an entertaining, informative and revealing piece. The DVD also features 16 deleted scenes. GRADE: A- or B+
Vaana (translation: Rain) is a 2008 Telugu film starring Vinay Rai and Meera Chopra in the lead roles, while Suman plays a supporting role. M.S. Raju produces and directs this film while debutant, Kamalakar composed music for the project. It is a remake of Kannada language film, Mungaru Male. The film was dubbed and released in Tamil as Gnabagangal Thaalattum.
When a Soviet submarine gets stuck on a sandbar off the coast of a New England island, its commander orders his second-in-command, Lieutenant Rozanov, to get them moving again before there is an international incident. Rozanov seeks assistance from the island locals, including the police chief and a vacationing television writer, while trying to allay their fears of a Communist invasion by claiming he and his crew are Norwegian sailors.
The film tells the love story of Junjee, and Sheena. Junjee just cannot seem to catch a romantic break. Their personalities stand opposite to the characteristics traditionally associated with masculinity and femininity in Asian societies in general.
The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into the lion's mouth! With this attraction, the circus makes it to New York and Tira can pursue her dearest occupation— flirting with rich men and accepting expensive presents.
In "Deadbeat Hero," Stanhope tackles all of the most relevant and controversial issues of our times: Abortion, "liberty," war, whether blindly supporting the troops is a good thing, the drug war, the Alabama-Mississippi ban on dildos and other sex toys, gay marriage and priest molestations. More bizarre topics include two-head babies, his suicidal cat-lady mother, and more.
A landscape gardener is hired by famous architect Le NĂ´tre to construct the grand gardens at the palace of Versailles. As the two work on the palace, they find themselves drawn to each other and are thrown into rivalries within the court of King Louis XIV.
In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community
A young screenwriter visits her sister for inspiration, a decision that brings only pain and disaster.
A 70-year-old woman transforms into her 24-year-old self after she's photographed at a studio, changing her life and those of the people around her forever.
Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.