Case Study: LSD

Documentary about Manuel Méndez, better known as Manolo Kabezabolo, a punk artist who in a somewhat implausible way has crossed time, space and fashions, without giving up his essences and principles.

By following the lives of five Japanese individuals this documentary explores the problem of depression in Japan and how the marketing of anti-depressant drugs has changed the way the Japanese view depression. Marketing of anti-depressants did not begin in Japan until the late 1990s and prior to this, depression was not widely recognized as a problem by the Japanese public. Since then, use of anti-depressants has sky-rocketed and use of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.

Rock 'n Roll Junkie is a documentary about the extraordinary life of dutch rock 'n roll myth and personification of sex, drugs and rock 'n' roll Herman Brood.

Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.

A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.

On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.

A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.

In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.

North Philadelphia, PA – Kev, El and Andy are three men united by one struggle: they are trying to defy gravity. As part of the 700,000 prisoners released into society every year, they find themselves faced with a chilling outlook: 67% of ex-offenders re-offend within three years. What explains this invisible force that keeps former inmates in a seemingly unending cycle of incarceration? Filmed on the street over the course of two years, Pull of Gravity is an intimate portrait of these three men that confronts head-on the gritty details of lives cut short by poverty and drugs, where dealing is seen as the only route to economic prosperity, where using offers an escape from powerlessness, and where prison is too often the next stop. The film’s unfiltered lense captures its subjects as they lay bare their stories, fears, and tentative dreams.

Women getting onto a rickshaw.

Lumière's documents life in Palestine.