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Monster Mash 2024 - Movies (Feb 23rd)
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Oceanfront Property Hunt - (Feb 23rd)
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Michael McIntyres Big Show - (Feb 23rd)
Set 1: New Speedway Boogie (Grateful Dead cover) They Love Each Other (Jerry Garcia cover) Mama Tried (Merle Haggard cover) Easy Wind (Grateful Dead cover) Ramble On Rose (Grateful Dead cover) Dear Mr. Fantasy (Traffic cover) (>) Hey Jude (The Beatles cover) Bird Song (Jerry Garcia cover) Set 2: Sugaree (Jerry Garcia cover) St. Stephen (Grateful Dead cover) (>) William Tell Bridge (Grateful Dead cover) (>) The Eleven (Grateful Dead cover) Iko Iko (Sugar Boy and His Cane Cutters cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) I Need a Miracle (Grateful Dead cover) (>) Wharf Rat (Grateful Dead cover) Casey Jones (Grateful Dead cover) Encore: Black Muddy River (Grateful Dead cover)
SET 1: Everything's Right, Back on the Train, Wolfman's Brother, Maze, Leaves, Life Saving Gun, Dirt, Carini SET 2: Sand > Tweezer -> My Friend, My Friend > Mike's Song > Lifeboy, Weekapaug Groove, Blaze On > Fluffhead ENCORE: Farmhouse[1], Run Like an Antelope [1] Began and ended with Trey on acoustic guitar.
Metallica at Cidade do Rock, Rio de Janeiro, Brazil on September 19, 2013. Setlist: 1 - The Ecstasy of Gold (Ennio Morricone song) 2 - Hit the Lights 3 - Master of Puppets 4 - Holier Than Thou 5 - Harvester of Sorrow 6 - The Day that Never Comes 7 - The Memory Remains 8 - Wherever I May Roam 9 - Welcome Home (Sanitarium) 10 - Sad but True 11 - ...And Justice for All 12 - One 13 - For Whom the Bell Tolls 14 - Blackened 15 - Nothing Else Matters 16 - Enter Sandman Encore: 17 - Creeping Death 18 - Battery (Without Intro) 19 - Seek & Destroy (with "The Frayed Ends of Sanity" outro jam)
SET 1: Plasma, Evolve, Ghost, Divided Sky, Shade, hey stranger, Character Zero SET 2: Oblivion > Down with Disease, Beneath a Sea of Stars Part 1 -> Also Sprach Zarathustra > Light > Ether Edge > Piper, First Tube ENCORE: More > Slave to the Traffic Light
Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
Get ready to light up the stage Down Under! DreamHack Melbourne 2024 will feature the first-ever hololive 3D concert in the southern-hemisphere, with performances from Houshou Marine, Tokoyami Towa, Kureiji Ollie, Pavolia Reine, Mori Calliope, and Hakos Baelz Event Website: https://dreamhack.com/melbourne/hololive
The seminal live performance by The Strokes, performing on a brightly lit-stage before an intimate audience at Zoetrope Studios in Los Angeles.
hololive 3rd fes. Link Your Wish is a live concert held by Hololive Production on March 19-20, 2022 at Makuhari Messe Event Hall alongside Hololive Super Expo, featuring all members of Hololive 0th Generation, Hololive 1st Generation, Hololive 2nd Generation, Hololive Gamers, Hololive 3rd Generation, Hololive 4th Generation, Hololive 5th Generation, Hololive Indonesia 1st Generation, and Hololive English -Myth-.
hololive 3rd fes. Link Your Wish is a live concert held by Hololive Production on March 19-20, 2022 at Makuhari Messe Event Hall alongside Hololive Super Expo, featuring all members of Hololive 0th Generation, Hololive 1st Generation, Hololive 2nd Generation, Hololive Gamers, Hololive 3rd Generation, Hololive 4th Generation, Hololive 5th Generation, Hololive Indonesia 1st Generation, and Hololive English -Myth-.
30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe.
Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.
