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Probably the best movie from Miyazaki. A mixture of old Japanese traditions with the story about the conflict between the industrial human being and the preservation of the Nature.
Hayao Miyazaki's arts have always something to remember us that we are naturally harmonized with mother earth and existences. There is still a bond, if one is hurt another, it means the one suffer itself as well.
Original title: Mononoke Hime The film is set in the 14th Century during Japan’s Muromachi Period. Young Prince Ashitaka, the last royal of his line, slays a wild boar that is about to attack his village. The boar, demonised because it was consumed by rage and hatred, infects the young Prince, who will eventually become demonised too. He leaves the village to find a cure in the form of Shishigami, a deer-like god. On his journey he realises that the latent rage and hatred within him, when it surfaces, gives him enormous power – proven when he slices off the arms of a Samurai warrior and decapitates another one. On his journey, he sees a travelling group of people attacked by a wolf pack. He saves two of the men who, it turns out, are from Irontown, run by the Lady Ishobi. He brings the two men back to Irontown, which is peopled by women who do the foundry-work and chores, and men who provide the security and protection, although even that is not cut and dried as the women are capable of defending themselves with guns being manufactured especially for them by the lepers to whom the Lady Ishobi provides food and dignity. There is much humour when the women verbally chastise their menfolk. I found those scenes hilarious. When Ashitaka brings the men back to Irontown he is welcomed by the Lady Ishobi. He also discovers that the wolf pack was led by the wolf god Moro, and the strange girl he saw help the wolves was San, the adopted daughter of Moro. San has the ability to talk to the nature spirits, and she is therefore known as Princess Mononoke (“Spirits of things”). Ashitaka is concerned that Ishobi is destroying the forest. It turns out that the Lady Ishobi and Moro are in battle because of the damage being done to the forest. To add to this, Ishobi has also recruited Samurai to help her in her fight, but the Samurai have two motives: one is to take the head of the Forest Spirit back to the Emperor, who believes it will give him immortality. The second is to take Irontown from the Lady Ishobi. That is an abstract of the plot. Miyazaki used computer-generated graphics in this for the first time, but most of the film was generated by hand. This I think is to its benefit. The drawing is breathtaking in places, and the depiction of such supernatural events as the Forest Spirit changing into the Nightwalker and the scene of the demon-possessed boar when it emerges from the forest for the first time are spectacular. I think it’s too scary and bloody for children, but a friend assures me that this sort of film is par for the course for children in Japan. The film is over two hours long, and it does pack a lot into that two hours. I found this film very interesting and watchable. I wanted to know what happened, and the plot was certainly not predictable. I believed in the world it depicted. I think in any film you have to allow it to draw you into its world (up to a point, some films are ludicrous and expect too much, this isn’t one of them). Part of the reason for the film’s ability to keep me interested is because the characters cannot be labelled “goodies” and “baddies.” Yes, Moro and his pack are attacking helpless workers, but they are destroying the forest and he needs to protect his way of life. Yes, the Lady Ishobi is destroying the forest, but she’s making a living for herself and is helping others: she has removed the women from servitude in brothels, given them security, work, and a home; some have found husbands or companions. She has provided shelter, home and work for the lepers, normally outcasts. Neither side seems particularly vindictive; Ishobi’s attempts to rid herself of the wolf pack are for self preservation, and her coalition with the Samurai to destroy the Forest Spirit is her attempt to remove the constant threat of attack. One can argue that if she took a more conciliatory view, maybe some sort of truce could be reached, but time and again members of the wolf pack merely say “they are humans, they must be killed” – to the point that even Ashitaki, who has helped the animals – is threatened with death if he does not leave the forest. In fact, one could argue that it is the animals who show a “racist” attitude here – demanding the death of the humans because they are humans. None of the humans in the film demand the death of the animals simply because they are animals. Their deaths, and the destruction of their habitat, are an unfortunate side-effect of the humans’ industrialisation, not a deliberate act. I hope that what you see from my analysis above is that the film is not goodies v. baddies. It’s nature v. industrialisation, and the compromise to that is not an easy one, and the film reflects that. You’ll be happy to know the film does have an upbeat ending, but thankfully it’s not entirely predictable, in my opinion. I thoroughly recommend the film.
When a village is tormented by a wild boar, it falls to the young "Ashitaka" to sort it out. Turns out though, that it isn't an ordinary beast - and in the fight the man is afflicted with a curse that requires his journey to the great tree god to put right. His travels lead him to the unscrupulous "Lady Eboshi" who has developed a smelting process that enables her to make guns - giving her not only advantage against the other local clans, but also helping her on her quest to kill the gods and the wolves lead by the Princess Mononoke whom they have raised from infancy. The story is great, the colourful and detailed animation moves the fable along well and excitingly with plenty of solid characterisation and action a-plenty. As ever with Miyazaki, there is a moral to the story - and the last twenty minutes exemplify that beautifully. The English language dubbed version has a good cast injecting personality and an extra degree of emotion to the characters too. I did find the forest sprites just a bit too twee, but otherwise this is a great marriage of creativity and legend - and I really enjoyed it.
This is my favorite movie from Miyazaki. The visuals are great. The characters are great. The voice acting (English version) is great. The animation is great. Music is great. The story is good. Everything about this movie is so cool and it's just really fun to watch.
An elite superhuman agent must stop a foreign military unit from seizing control of an ancient artifact that holds the key to ultimate power.
A folklore professor becomes unwittingly possessed by the ancient Japanese demons of Thunder and Lightning. But when The Bureau of Paranormal Research & Defense dispatches a team of agents to investigate, a cursed samurai sword sends Hellboy to a supernatural dimension of ghosts, monsters, and feudal mayhem. Now while pyrokinetic Liz Sherman and fishboy Abe Sapien battle one very pissed-off dragon, a lost and cranky Hellboy must find his way home.
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Ayato and Haruka are middle-school sweethearts whose lives take a dire turn when the mysterious Mu invade Tokyo in the year 2012. Protecting humanity from the Mu may be Ayato's destiny, but what he really wants is to regain the relationship he once had with Haruka... a love that will have to transcend space, time, and reality itself.
Naruto is thrilled when he is sent on a mission to protect his favorite actress, Yukie Fujikaze, on the set of her new movie, The Adventures of Princess Gale. But when the crew ventures out to film in the icy, foreboding Land of Snow, Yukie mysteriously flees! Naruto and his squad set off to find her... unaware that three Snow Ninja lie in wait, with a sinister purpose that will force Yukie to face her hidden past!
Naruto, Shikamaru, and Sakura are executing their mission of delivering a lost pet to a certain village. However, right in the midst of things, troops led by the mysterious knight, Temujin, attack them. In the violent battle, the three become separated. Temujin challenges Naruto to a fight and at the end of the fierce battle, both fall together from a high cliff...
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
A young girl is abducted by a man, who claims that a cult is hunting her. His goal is to protect her until sunrise but while restrained, the young girl falls deathly ill. While her friends and family search for her, the source of her illness becomes more and more apparent. She’s not sick…she’s changing.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership.
Son Goku Jr. is the great-great-great-great-grandson of the legendary martial artist Son Goku. However, unlike his predecessor he's not a brave fighter. He's constantly picked on by school bullies, his grandmother Pan sees this and she's worried, but even though Goku Jr. is not a strong and powerful Saiyan, he has a kind heart, and Pan loves him. When Pan gets sick Goku Jr. realizes he must do something if he doesn't want to lose Pan. Then he will remember about the legends of the Dragon Balls. It was told they granted a wish to the bearer, Goku Jr. needs a magical wish more than ever.