ROB1N 2025 - Movies (May 2nd)
The Surfer 2024 - Movies (May 2nd)
Thunderbolts* 2025 - Movies (May 2nd)
Lucy Beaumont Live From The Royal Court Theatre 2024 - Movies (May 2nd)
Chris Ramsey Live from London 2024 - Movies (May 2nd)
Detained 2024 - Movies (May 1st)
The Last Redemption 2024 - Movies (May 1st)
Another Simple Favor 2025 - Movies (May 1st)
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Lucky - (May 2nd)
The Real Murders of Atlanta - (May 2nd)
Bargain Hunt - (May 2nd)
Rip Off Britain - (May 2nd)
The Beechgrove Garden - (May 2nd)
The One Show - (May 2nd)
Claire Hoopers House of Games - (May 2nd)
After Midnight - (May 2nd)
Watch What Happens Live with Andy Cohen - (May 2nd)
Tribunal Justice - (May 2nd)
Homicide Hunter- Lt Joe Kenda - (May 2nd)
TNA iMPACT - (May 2nd)
Unseen - (May 2nd)
Beyond the Gates - (May 2nd)
Next Level Chef - (May 2nd)
Farmer Wants a Wife - (May 2nd)
The 40th Anniversary of Chinese Film Since Chinas Reform and Opening-Up - (May 2nd)
The Complaints Bureau - (May 2nd)
The Bold and the Beautiful - (May 2nd)
Lets Make a Deal - (May 2nd)
A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.
Facing mounting insect deaths, concerned bugs view a documentary film about Sherwin-Williams's lethal new PESTROY pesticide coating.
Michele Bernardi has created a portrait of the dancer and choreographer Pina Bausch (July 27, 1940-2015), inspired by various film and video clips of her in the incessant studio of movement. The animation is rotoscoped and it recapture the almost abstract quality of dance. The soundtrack by Luca D’Alberto enhances the succession of images and recomposes a unique cameo whom the legendary Pina she is.
A stop-motion puppet animation adaptation of Hans Christian Anderson's tale The Ugly Duckling.
The fourth instalment of the Deadly Scent adventure series of short films, in which Zea and Lucius this time resist the snares of the criminal Dr. Goad under the surface of the sea.
Inspired by Rachel Moseley-Wood’s essay “The Other Jamaica”, Damian Marley’s controversial song “Welcome to Jamrock”, and juxtaposed views of Jamaica via tourism and marginalized Jamaicans. This short animation uses found film of Jamaica in the 1930s-60s to manipulate the camera’s ethnographic points of view.
In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).
an intuiting of the core feelings of the Moses story relating to the current capitalistic global system all told through a hybrid of stop motion animation and live action.
In a time of universal manipulation, deceit and monopoly a failed attempt to strip our identity both individual and collective are transcended by our true in identity in Christ the Lamb.