That's The Way

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

In the last days of their tumultuous relationship Julian and Lara are confronted with a life changing event and now must bear the consequences.

12-year-old Fabi has to finally prove himself as one of the family - by getting his first scar.

Gavin gets a Facial

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

Follows Joana Mallwitz during two pivotal years – when she gives birth to her son and her career accelerates significantly. But whether she’s at home, at rehearsals, or in the spotlight, the German conductor strives to prove that perfection at work is just as important as finding the right rhythm in life.

Little America (2001) a DVD of Alphaville's 17 July 1999 concert in Salt Lake City, Utah, USA. The concerts performed July 15-17 1999 in Salt lake City, Utah marked Alphaville's first ever live performances in North America. Due to the groundbreaking nature of this event, the concert on 17 July 1999 was recorded in its entirety to distribute as a worldwide release. The resultant tracks are a brilliant melding of various Alphaville styles into a well-polished opus, yet rough enough around the edges to allow the viewer the feeling of actually attending the concert.

A haunted woman named Ida journeys from Germany to Jordan, to an eerie and deserted port town on the Red Sea where her partner, Ismail, recently disappeared. Wandering through desolate bars, hotels, and offices, Ida attempts to feel Ismail’s presence one last time and to say goodbye.

After numerous military operations, Major Müller can't find a way back into civilian life. Following his urge to communicate, the Major is looking for listeners and encouragement. He doesn't find either. Instead, the repeated monological memory of his own heroic deeds determines his present – with all the consequences. This 30-minute short film is based on the statements made by the mercenary Siegfried Müller in the documentary “The Laughing Man” (Walter Heynowski and Gerhard Scheumann, DEFA studio for newsreels and documentaries, 1966), as well as records from the German colonial period in Africa. An intensive contribution to the necessary public debate about the consequences of military operations.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.