The Witcher Sirens of the Deep 2025 - Movies (Feb 11th)
Nickel Boys 2024 - Movies (Feb 11th)
Hard Truths 2024 - Movies (Feb 11th)
Bring Them Down 2024 - Movies (Feb 10th)
Becoming Led Zeppelin 2025 - Movies (Feb 10th)
Marked Men Rule + Shaw 2025 - Movies (Feb 10th)
Street Punx 2024 - Movies (Feb 10th)
Fox and Hare Save the Forest 2024 - Movies (Feb 10th)
The Wish Swap 2025 - Movies (Feb 9th)
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I Thought My Husbands Wife Was Dead 2024 - Movies (Feb 9th)
Better Man 2024 - Movies (Feb 9th)
Turn Me On 2024 - Movies (Feb 9th)
Melanies Grave 2024 - Movies (Feb 8th)
Reality Bites A Hannah Swensen Mystery 2025 - Movies (Feb 7th)
Black Diamond 2025 - Movies (Feb 7th)
Horror Able 2024 - Movies (Feb 7th)
Fight Another Day 2024 - Movies (Feb 7th)
Down Below 2024 - Movies (Feb 7th)
Over The Red River 2024 - Movies (Feb 7th)
Modì Three Days on the Wing of Madness 2024 - Movies (Feb 7th)
The Witcher Sirens of the Deep 2025 - ()
Nickel Boys 2024 - ()
Hard Truths 2024 - ()
Bring Them Down 2024 - ()
Becoming Led Zeppelin 2025 - ()
Marked Men Rule + Shaw 2025 - ()
Street Punx 2024 - ()
Fox and Hare Save the Forest 2024 - ()
The Wish Swap 2025 - ()
Heart Eyes 2025 - ()
I Thought My Husbands Wife Was Dead 2024 - ()
Better Man 2024 - ()
Turn Me On 2024 - ()
Melanies Grave 2024 - ()
Reality Bites A Hannah Swensen Mystery 2025 - ()
Black Diamond 2025 - ()
Horror Able 2024 - ()
Fight Another Day 2024 - ()
Down Below 2024 - ()
Over The Red River 2024 - ()
From high up in the glacier-carved mountains of Northern Spain, towards the Atlantic Ocean in the cities of Porto and V.N.Gaia in Northern Portugal. A journey through a river and through sound.
An encounter with the last shamans of Bolivia's Beni River Valley brings the audience on an intimate spiritual journey through the Amazon Rainforest. Navigating the viewer through lush landscapes on a ritual of transcendence and forgiveness, this experimental documentary recreates for audiences the experience of the potent and sacred Ayahuasca Vine.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A filmmaker’s meditation on loss and grief. A digital eulogy and swan song to his creative partner and best friend. Mixed media woven into the fading daydream of their time together.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.