Marked for Murder

An American-born Jewish adolescent, Hannah Stern, is uninterested in the culture, faith and customs of her relatives. However, she begins to revaluate her heritage when she has a supernatural experience that transports her back to a Nazi death camp in 1941. There she meets a young girl named Rivkah, a fellow captive in the camp. As Rivkah and Hannah struggle to survive in the face of daily atrocities, they form an unbreakable bond.

After a tragic accident Luke Gibson is left with critical injuries and complete amnesia. A new technological breakthrough from the Hexx Corporation - a Psi-Comp Implant that's hardwired into Luke's brain - saves his life, but Luke soon finds out that this new technology comes with a price and that the Hexx Corporation harbors sinister plans for the new device.

All vile things must come to an end, and for Daria Morgendorffer that means it's time to look beyond high school to college. Our little girl has grown up so fast. It's time for higher learning, lowered expectations, and a heavy dose of sarcasm. Life can't suck more after high school, can it?

The Corpse had a Familiar Face is a 1994 American TV-Movie with Elizabeth Montgomery, playing Edna Buchanan, a Miami's criminal journalist.

A geneticist who fears that her son may be becoming a serial killer creates a group of clones in an attempt to cure him of his psychopathic tendencies by allowing him to relive the murder of his first victim.

Two bad women fight over one man in a back-stabbing, money-grabbing, insurance-hustling, double-dealing, two-timing caper.

Broadway style songs are used to tell this interesting story of an ingenious orphan who gets involved in matchmaking and striving for inter-racial understanding in 1956 Alabama.

This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.

A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.

In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.