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Green and Gold 2025 - ()
Grace Wins 2024 - ()
Deadzone 2024 - ()
The Distance Between Us 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Super Icyclone 2024 - ()
The Perfect Mother 2024 - ()
Thirsty for Likes 2024 - ()
Three Secrets 2024 - ()
Ryans World the Movie Titan Universe Adventure 2024 - ()
Megalopolis 2024 - ()
Blood Star 2024 - ()
Resistance They Fought Back 2024 - ()
Conclave 2024 - ()
Oh Canada 2024 - ()
Becoming Hitchcock The Legacy of Blackmail 2024 - ()
Flight Risk 2025 - ()
Dog Man 2025 - ()
Lethal Love Affair 2024 - ()
A chronicle of the life of Yasui Santetsu, a 17th century master of go who turned his attention to astronomy and created a new calendar for Japan. Based on the life of Santetsu Yasui (December 27, 1639-November 1, 1715), appointed as the first official astronomer in the Edo Period and would go on to create the Jokyo calendar at the imperial request.
Ryutaro is a spy employed by the shogun Tokugawa Iemitsu, who is the target of assassination attempts that aim to hand power over to his younger brother Tadanaga. Before learning of these plots, Ryutaro discovers himself in a predicament of his own when he rushes to the defence of a local girl who is caught between her boyfriend and a greedy businessman. The situation results in many violent one-on-one skirmishes between Ryutaro and the businessman’s many samurai defendants, one of whom enigmatically refuses to reveal his face or use more than just the one hand. Before long, Ryutaro’s top priority is not protecting Iemitsu as it should be, but rather unearthing the true identity of the mystery samurai.
The year is 1575 in feudal Japan. Oda Nobunaga's (Kippei Shiina) forces defeat Takeda Katsuyori, when Nagashino Castle was besieged during the Battle of Nagashino. The next year Oda Nobunada decides to build a lavish new castle symbolizing his unification of various factions. The castle named Azuchi Castle will be built near water and high enough to be seen from the capital city of Kyoto. Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's novel of the same name received the 33rd Japan Academy Film Prize for Excellent Art Direction.
An abandoned temple in the mountains outside of the old capital city of Kyoto is the scene of a fated meeting between a traveling priest, two women, and a vicious killer. Bloody violence erupts whenever strangers approach the temple. Can the traveling priest bring his belief in the Buddha and rid the three temple residents of the devils that hold their souls?
Set during the Edo Period, a young man from a noble family meets a young woman under a special tree called "Raiou" (the tree was struck by lightning at one time with the broken part eventually sprouting out cherry blossoms). The young woman lived freely in the mountains after she was abducted as a young child. The couple soon fall in love under the Raiou tree, but become acutely aware of their different social positions & the ramifications it has on their relationship.
The Son of the Black Mass returns in this ninth installment in Daiei's longstanding Nemuri Kyoshiro series. This time Raizo Ichikawa as Nemuri is called to see that a gold statuette of the Virgin Mary gets safe passage to Kyoto from the prying hands of a sect of murderous Christian ronin that call themselves the Black Finger Group.
The remake of Yoshikawa's novel continues with the second installment in which Takezo, soon to be Miyamoto Musashi, emerges from the Himeji Castle after three years of intense contemplation and philosophical study and starting on his epic quest to complete his skill in the Way.
In the third installment of Yoshikawa's novel Musashi, things continue from the 2nd film at the end of battle, where Miyamoto continues on a mission of learning; with the introduction of his arch-rival Sasaki Kojiro; and lastly the large cast of characters rendezvouses for a fateful finale.
In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.
The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.
In the sixth and final episode Rentaro Mikuni steals the show as Baiken Shishido, Musashi's nemesis. Mikuni is the nominal villain of the film, but he is a devoted husband and father as well. He tries to kill Musashi only to avenge the death of his brother-in-law. While Baiken (who wields a chain and sickle against Musashi's sword) is a very human character and the emotions that Mikuni displays in his performance are quite believable and engaging