Royal Opera House: Andrea Chénier

This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment.

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.

Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.

Among DVDs of "Hoffmann" currently available, this is the only one that even begins to stand comparison with the superlative Powell and Pressburger film (whose ideas it occasionally borrows). Olivier Py's baroque imagination, which sometimes leads him into self-indulgence and incoherence, is well suited to bringing out this opera's darkness and he does an excellent job

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

Richard Strauss's opera, from the Royal Opera House, Covent Garden.

Live performance at the Metropolitan Opera in 2000.

Live performance from the Opéra National de Paris, 2003.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.