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Gary Barlows Wine Tour- South Africa - (Apr 11th)
Lucky - (Apr 11th)
Empathie - (Apr 11th)
The Price Is Right - (Apr 11th)
The Young and the Restless - (Apr 11th)
Lets Make a Deal - (Apr 11th)
The Late Late Show - (Apr 11th)
Everybodys Live with John Mulaney - (Apr 11th)
Outnumbered - (Apr 11th)
Raised By The Village - (Apr 11th)
The Challenge- All Stars - (Apr 11th)
Eva Paus Asian Kitchen - (Apr 11th)
Home Grown - (Apr 11th)
Gavin and Stacey - (Apr 11th)
The Chase Australia - (Apr 11th)
Blackout- Tomorrow Is Too Late - (Apr 11th)
The 11th Hour with Stephanie Ruhle - (Apr 11th)
Police 24/7 - (Apr 11th)
After Midnight - (Apr 11th)
Watch What Happens Live with Andy Cohen - (Apr 11th)
Megan and I are starting to watch the same TV shows - and I'm liking them. I'm losing it! Mr. Mom is directed by Stan Dragoti and written by John Hughes. It stars Michael Keaton, Teri Garr and Martin Mull. Music is by Lee Holdridge and cinematography by Victor J. Kemper. Plot sees Keaton as Jack Butler, who after being laid off from work, is forced to become a house husband after his wife Caroline (Garr) lands a good job with Schooner Tuna - something he's really not cut out to do. Ah, well, look, it's obviously very eighties, and thankfully society has moved on in leaps and bounds since this film was released. But good honest comedy is just that, honest, and for those looking for a good chuckle whilst admiring the talent of a pre-Batman Keaton, Mr. Mom is a bad mood lifter. Condensed into the 90 minute running time are enough gags and fun sequences to fill out a 12 episode sit-com, with a pre-teen-angst trail blazing John Hughes scripting it full of quotable lines. Lines which Keaton delivers with the comic timing not befitting someone just starting out in film. The fun is mined from Jack being hopeless at basic household chores whilst badly tending the three young children at the same time. Enter scenes involving shopping, dropping the kids off at school, laundry, cooking and ironing. As his masculinity starts to wane, Jack starts too slob out and gets his kicks by watching day-time soap operas and playing cards with the neighbourhood women. This coincides with his wife Caroline (Garr adorable) advancing well at work, but paying a price for it by being away from the family home far too much. There's also the looming presence of Caroline's smarmy boss (Martin Mull delightfully sleazy) and the good time girl (Ann Jillian sexing it up) who has her eye on Jack for fun and frolics. Both of these are stereotypes, but they existed then as much as they exist now, with that, it's easy to cut Mr. Mom some slack. Supporting slots fall to Christopher Lloyd (who would re-team with Keaton for the very funny "The Dream Team" in 1989), Jeffrey Tambor ("City Slickers"), Graham Jarvis (TV "Starsky & Hutch/Cagney & Lacey") and Miriam Flynn ("National Lampoon's Vacation"). The child actors put in pleasing turns, where they score funny points both visually and orally, and director Dragoti ("The Man With One Red Shoe") directs in an unfussy natural way. Ultimately it's Keaton and Hughes' script that lifts it to better comedy heights, the latter of which also plays on some basic fears that arise in the real world. Yeah, it's not just about Jack's bumbling around the home, that John Hughes was a sharp fella you know. 7/10
For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them. On their journey they come across many comical characters and incredible situations. Based upon Homer's 'Odyssey'.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.
An FBI informant has kept his new identity secret for 15 years. Now an old flame has recognised him, and the bad guys are back for revenge.
A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.
The continuing adventures of the barbers at Calvin's Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his business. Calvin is again struggling to keep his father's shop and traditions alive-this time against urban developers looking to replace mom & pop establishments with name-brand chains. The world changes, but some things never go out of style-from current events and politics to relationships and love, you can still say anything you want at the barbershop.