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Raw - (May 6th)
NCIS - (May 6th)
The Last Word with Lawrence ODonnell - (May 6th)
A Bite to Eat with Alice - (May 6th)
The Cook Up with Adam Liaw - (May 6th)
WWE SmackDown - (May 6th)
The Derbyshire Auction House - (May 6th)
The One Show - (May 6th)
Below Deck Down Under - (May 6th)
The Handmaids Tale - (May 6th)
The Neighborhood - (May 6th)
The Rachel Maddow Show - (May 6th)
Joe Lycett’s United States of Birmingham - (May 6th)
All American - (May 6th)
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Megan and I are starting to watch the same TV shows - and I'm liking them. I'm losing it! Mr. Mom is directed by Stan Dragoti and written by John Hughes. It stars Michael Keaton, Teri Garr and Martin Mull. Music is by Lee Holdridge and cinematography by Victor J. Kemper. Plot sees Keaton as Jack Butler, who after being laid off from work, is forced to become a house husband after his wife Caroline (Garr) lands a good job with Schooner Tuna - something he's really not cut out to do. Ah, well, look, it's obviously very eighties, and thankfully society has moved on in leaps and bounds since this film was released. But good honest comedy is just that, honest, and for those looking for a good chuckle whilst admiring the talent of a pre-Batman Keaton, Mr. Mom is a bad mood lifter. Condensed into the 90 minute running time are enough gags and fun sequences to fill out a 12 episode sit-com, with a pre-teen-angst trail blazing John Hughes scripting it full of quotable lines. Lines which Keaton delivers with the comic timing not befitting someone just starting out in film. The fun is mined from Jack being hopeless at basic household chores whilst badly tending the three young children at the same time. Enter scenes involving shopping, dropping the kids off at school, laundry, cooking and ironing. As his masculinity starts to wane, Jack starts too slob out and gets his kicks by watching day-time soap operas and playing cards with the neighbourhood women. This coincides with his wife Caroline (Garr adorable) advancing well at work, but paying a price for it by being away from the family home far too much. There's also the looming presence of Caroline's smarmy boss (Martin Mull delightfully sleazy) and the good time girl (Ann Jillian sexing it up) who has her eye on Jack for fun and frolics. Both of these are stereotypes, but they existed then as much as they exist now, with that, it's easy to cut Mr. Mom some slack. Supporting slots fall to Christopher Lloyd (who would re-team with Keaton for the very funny "The Dream Team" in 1989), Jeffrey Tambor ("City Slickers"), Graham Jarvis (TV "Starsky & Hutch/Cagney & Lacey") and Miriam Flynn ("National Lampoon's Vacation"). The child actors put in pleasing turns, where they score funny points both visually and orally, and director Dragoti ("The Man With One Red Shoe") directs in an unfussy natural way. Ultimately it's Keaton and Hughes' script that lifts it to better comedy heights, the latter of which also plays on some basic fears that arise in the real world. Yeah, it's not just about Jack's bumbling around the home, that John Hughes was a sharp fella you know. 7/10
A Midwestern housewife supports her large family by entering contests for ad slogans sponsored by consumer product companies, while dealing with abuse from her alcoholic husband. Based on a true story.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.
When a childless couple-an ex-con and an ex-cop-decide to help themselves to one of another family's quintuplets, their lives become more complicated than they anticipated.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.
A disk jockey goes to Vietnam to work for the Armed Forces Radio Service. While he becomes popular among the troops, his superiors disapprove of his humor.
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.