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Megan and I are starting to watch the same TV shows - and I'm liking them. I'm losing it! Mr. Mom is directed by Stan Dragoti and written by John Hughes. It stars Michael Keaton, Teri Garr and Martin Mull. Music is by Lee Holdridge and cinematography by Victor J. Kemper. Plot sees Keaton as Jack Butler, who after being laid off from work, is forced to become a house husband after his wife Caroline (Garr) lands a good job with Schooner Tuna - something he's really not cut out to do. Ah, well, look, it's obviously very eighties, and thankfully society has moved on in leaps and bounds since this film was released. But good honest comedy is just that, honest, and for those looking for a good chuckle whilst admiring the talent of a pre-Batman Keaton, Mr. Mom is a bad mood lifter. Condensed into the 90 minute running time are enough gags and fun sequences to fill out a 12 episode sit-com, with a pre-teen-angst trail blazing John Hughes scripting it full of quotable lines. Lines which Keaton delivers with the comic timing not befitting someone just starting out in film. The fun is mined from Jack being hopeless at basic household chores whilst badly tending the three young children at the same time. Enter scenes involving shopping, dropping the kids off at school, laundry, cooking and ironing. As his masculinity starts to wane, Jack starts too slob out and gets his kicks by watching day-time soap operas and playing cards with the neighbourhood women. This coincides with his wife Caroline (Garr adorable) advancing well at work, but paying a price for it by being away from the family home far too much. There's also the looming presence of Caroline's smarmy boss (Martin Mull delightfully sleazy) and the good time girl (Ann Jillian sexing it up) who has her eye on Jack for fun and frolics. Both of these are stereotypes, but they existed then as much as they exist now, with that, it's easy to cut Mr. Mom some slack. Supporting slots fall to Christopher Lloyd (who would re-team with Keaton for the very funny "The Dream Team" in 1989), Jeffrey Tambor ("City Slickers"), Graham Jarvis (TV "Starsky & Hutch/Cagney & Lacey") and Miriam Flynn ("National Lampoon's Vacation"). The child actors put in pleasing turns, where they score funny points both visually and orally, and director Dragoti ("The Man With One Red Shoe") directs in an unfussy natural way. Ultimately it's Keaton and Hughes' script that lifts it to better comedy heights, the latter of which also plays on some basic fears that arise in the real world. Yeah, it's not just about Jack's bumbling around the home, that John Hughes was a sharp fella you know. 7/10
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.
When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.
An FBI informant has kept his new identity secret for 15 years. Now an old flame has recognised him, and the bad guys are back for revenge.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.