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This ranks alongside **KING OF NEW YORK** as a spiritual not-quite-sequel to **YEAR OF THE DRAGON**. Let's put a few of the same characters in Chicago, with Raymond J. Barry in essentially the same role (though now even more overtly crooked and with the FBI) and swap out that Thai drug baron John Lone visited with Tzi Ma and now throw in Bruce Lee's son into the mix. Bring in horror director Dwight H. Little (fresh off his other successful action outing **MARKED FOR DEATH**) and see what we get? Well, the results are a bit of a mixed bag for sure. While the action sequences are largely okay, the plot doesn't really throw us any surprises. The romance between Brandon and a female police officer falls flat on its face and the surrogate father-son dynamic he has with grizzled cop Powers Boothe feels similarly forced and awkward. Also, why is a big Chinese drug shipment being brought in via the Port of Chicago when anywhere on the West Coast would be 1000x more convenient? Plot contrivances galore, plus a really goofy Tienamen Square flashback make for just a little too much dumb writing to take seriously. That said, Brandon Lee, though still a bit rough around the edges, is tremendously charismatic as the lead. His character seems very much a humanized fish out of water and his handling of the numerous martial arts sequences makes us lament his untimely passing that much more. Dwight's action highlights come near the start with a very John Woo inspired shootout in an art gallery and reach their crescendo mid-movie with a hapless gang of Italian wannabe mobsters turning their besieged restaurant HQ into a fortress. Nick Mancuso, the primary antagonist of the picture, really shines as a somehow likable pathetic wimp of a mob boss. He's a lot of fun to watch, and its unfortunate that his character leaves the film prior to the third act, which turns into a straight-up dig on John Woo with a very low-stakes cliched battle in a Chinese... laundromat / factory (???). Both Tzi Ma and Al Leong get in some quality martial arts time with Brandon, but it's still so much more fun to see him in a fisticuffs match with giant brute Tony Longo in that mid-movie restaurant scene. As it is, **Rapid Fire** has a lot of fun 80's/early-90's-style action in it and sits comfortably next to the likes of **RAW DEAL** and **HARD TO KILL** in terms of quality. Had it not been saddled with a lame script that plays its cards way too soon, it could have been a lot more. Leave it to Brandon's final film **THE CROW** to finally deliver the action goods to end up defining one of Hollywood's most tragically brief and promising careers.
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past - and whether he's friend or foe.
A disgraced ex special forces agent turns to a demon that offers him a job as a soul hunter. Chaos ensues when a former associate goes on a killing spree with the soul hunter as his main target.
The leader of Soul Crew, the toughest gang in Tokyo, was viciously killed. Shortly after that an anonymous challenge appeared in graffiti scrawls all over the city "inviting" all of the city's gang leaders to a fighting tournament that will settle which group has the power to rule Tokyo. Everyone knew refusing to participate was not an option.
It's the ultimate showdown. The toughest fighters from "Baki Hanma" and "Kengan Ashura" clash in this unprecedented, hard-hitting martial arts crossover.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
During China's Warring States period, a district prefect arrives at the palace of Qin Shi Huang, claiming to have killed the three assassins who had made an attempt on the king's life three years ago.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
