Raqqa Spy vs. Spy 2024 - Movies (Apr 16th)
Unbankable 2024 - Movies (Apr 16th)
Beyond the Tree Line 2024 - Movies (Apr 16th)
Giroud 2024 - Movies (Apr 16th)
Hammer Heroes Legends and Monsters 2024 - Movies (Apr 16th)
Bottom Exposed 2024 - Movies (Apr 16th)
Paypigs 2025 - Movies (Apr 15th)
The Pilgrimage of Gilbert and George 2024 - Movies (Apr 15th)
The Painted 2024 - Movies (Apr 15th)
Eephus 2024 - Movies (Apr 15th)
Titanic The Digital Resurrection 2025 - Movies (Apr 15th)
Behind the Curtain Stranger Things The First Shadow 2025 - Movies (Apr 15th)
A Working Man 2025 - Movies (Apr 15th)
The Woman in the Yard 2025 - Movies (Apr 15th)
Warfare 2025 - Movies (Apr 15th)
Art Matters 2024 - Movies (Apr 14th)
Captain America Brave New World 2025 - Movies (Apr 14th)
Victories of the Third Reich 2025 - Movies (Apr 14th)
The Last Breath of War 2025 - Movies (Apr 14th)
Paradise Is Burning 2025 - Movies (Apr 14th)
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Love and Hip Hop Atlanta - (Apr 16th)
The Last American Vagabond - (Apr 16th)
The Beat with Ari Melber - (Apr 16th)
Tipping Point - (Apr 16th)
FBI- Most Wanted - (Apr 16th)
Truthseekers - (Apr 15th)
The Young and the Restless - (Apr 15th)
Deadline- White House - (Apr 15th)
The Bold and the Beautiful - (Apr 15th)
The Price Is Right - (Apr 15th)
Our Welsh Chapel Dream - (Apr 15th)
Dr Xands Con or Cure - (Apr 15th)
George Clarkes Amazing Spaces - (Apr 15th)
Piers Morgan Uncensored - (Apr 15th)
Katy Tur Reports - (Apr 15th)
Chris Jansing Reports - (Apr 15th)
The Bailiffs - (Apr 15th)
The Feud of Two Brothers - (Apr 15th)
Escape to the Farm with Kate Humble - (Apr 15th)
Chateau DIY - (Apr 15th)
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Amazing, but true: Fort Lee, New Jersey (just across the George Washington Bridge from Manhattan), was once the epicenter of American film production. This documentary of a truly bygone era combines photographs culled from private collections, as well as restored footage from such films as Thomas A. Edison's Rescued from an Eagle's Nest and D.W. Griffith's The New York Hat, filmed at the studios in Fort Lee.
An investigation into accusations of teenagers being sexually abused within the film industry.
As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.
From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.
At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.
Debra Hill's documentary tells the story of her multifaceted life and of inspiring filmmakers around the world, and her legacy as a creative producer, mentor, film pioneer and activist is an enduring one.
An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.
The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.