Step Brother Sister Perversions 22

In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.

An anthology, based on the comics of the same name by Glenn Danzig, in which the erotic and horrific combine to create multiple ghoulish tales of bloodlust, murder, the occult and the forbidden.

A found footage introspective look into the life of a serial killer.

A fictionalized day in the life of Anna Nicole Smith, revealing her innermost thoughts on the people (friends, servants, lawyers, photographers) and events (photoshoots, bathing, sexual exploits) that make up her life.

West Germany, Christmas Eve, 1971. 7-year-old Kimîa captures her family’s celebration through the lens of her Super 8 camera. But the mood changes when her mother, Hanna, discovers her husband’s plans.

In a remote area of New Zealand, two young friends took LSD, 13 years later their camera was found

A sexy graduate student is giving her thesis presentation, which creates quite a stir since it reveals that she has just posed as a prostitute for several months to do sociological research for her thesis. She relates various stories of her experiences to her salivating thesis committee and a large audience of curious on-lookers.

Casey, a social media influencer, takes on a house-sitting job for the night. Casey's lighthearted updates quickly turn into a desperate plea for help as the night progresses.

An artist holds a pen on paper and slowly starts drawing the line. The line gradually increases its pace, leading to curves, reversions, curveballs, and inconsistencies. As the artist nearly finishes, the artist lifts the pen to show the entire drawing. The artist slowly returns to drawing and continues the following chapters of life.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.