ALWAYS 三丁目の夕日

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in 1975, and Observer/Observed/Observer, made in 1976). The work analyzes the fundamental components of video: the camera, the monitor, and the frame, focusing on the role of each within a system of video as analogous to the functions of vision and speech.

Frustrated with the bad behavior of his lord, Inaba Yajuro (Otomo) declares that he is leaving the clan and sets off on a journey that leads him into a small town besieged by a violent group of brigands. In a kind of homage to Kurosawa's 7 Samurai, the townspeople have been unable to defend themselves and Inaba sets out to teach them how to stand up for themselves. Meanwhile the vile Lord Yasumasa has sent the 4 finest swordsmen in the clan out to hunt Inaba down and kill him. Led by the magnificent Ichibei (Konoe), a master of weaponry in his own right, everything points to an ultimate showdown between the former friends in a battle to the death.

Using video technology as an extension of his body, Yamamoto interacts with a pre-recorded image of his hand displayed on a monitor.

A young Tokyo businessman joins an online movie forum and develops a special bond with one of its members through back and forth e-mails.

Shiori, who was injured after parting from her boyfriend, dreamed of being embraced by a mysterious man every night. Shiori is confused but euphoric about the "indecent dream" and becomes bewitching day by day. However, one day the dream man transforms into a terrifying figure and finally appears in reality. What did she see? Is there an end to this nightmare ...? !!

A court fortune-teller loses his mind after a conspiracy leads to the death of his lover. Hope appears to be on the horizon after he becomes romantically involved with his dead lover’s twin sister, but more complications arise thanks to a chance encounter with a clan of shape-shifters.

An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.

Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Yuki never knows the love of a family but only killing and revenge.

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.