Phish: Tracking

On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.

The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.

Phish at SPAC - Webcast

Henry Hills is among the film artists who, like filmmaker Abigail Child, marries frenetically fast image montage with split-second music and sound editing: the changes in rhythm and mood stream so fast they create a giddy delirium in the spectator. SOCIAL SKILLS provides Hills with the perfect subject: discontinuous fragments from a 60-day class in liberated body movement led by David Zambrano in Belgium. The soundtrack does the splits between disco funk and cartoon noise effects. Is it dance, childlike play, or the Utopian vision of a community of negotiated differences? It is all of these things at once.

A piece of story which has been taken from two young men from Rangkasbitung – it’s a small town which has a distance 120 kilometers from the capital city of Jakarta. Kiwong and Iron have a profession as a tofu sellers. Kiwong sells tofu in the economy train of Rangkasbitung to Jakarta while Iron sells the fresh tofu in the traditional Rangkasbitung market. Those characters are portraits of young generation from post Reformation in 1998 where Indonesia was a country which had been reigned by military regime before, and turn to be a large democratic country in the world.

Josh, a classical piano student focused on winning the biggest competition of his life, encounters Charlotte, a free-spirited jazz pianist who distracts him to better her chances of winning. She lures him away from the practice room for a magical night and ends up teaching Josh that life, like his music, is about taking risks.

Based on a story by Franz Kafka, this Philip Glass opera is set at the turn of the 20th century on a remote island where a high-ranking visitor arrives to witness the use of a strange machine in the execution of a prisoner. It is a parable for the consequences of the abuse of power and corruption.

A celebration of the life of actress Farrah Fawcett, an American icon whose influence on pop culture has been underestimated.

A young department store worker discovers a magical lantern which contains the spirit of Tsuboi, a genie who has just one last chance to help someone on Earth.

When the past re-emerges, it can prove to be uncontrollable and become another present, the here and now of a space that is contemporaneously clear-cut and indefinite, suspended within a frame of mind that can take your breath away. The movie is a journey inside this dimension, as it recounts what it means to cross this threshold and teeter between unexpected tears and sudden laughter. A reflection on old age and what you can discover by looking at yourself in this mirror, the film is the outcome of a long process of listening and dozens of lengthy encounters in five regions in Italy, in search of yesterday’s world, that sometimes seems very far away and sometimes strangely present.